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John Paul Jones + Jimmy Page

Personal preference and taste are the choice of the individual - if your friend doesn't like Page or think's he's sloppy, he doesn't know Jimmy Page as well as he thinks he does (and also doesn't know Slash or EVH).

First...Slash and EVH were "sloppy" as well. To ignore the totality of Page's career (session man, in the studio with his own projects, and live over his entire career) and to say that he was a sloppy player is inaccurate. He, just like Slash and EVH, had sloppy/bad/off nights or was in less than top form due the impacts of substance abuse. To label Page as "sloppy" in absolute, and to ignore the times/years when Slash and EVH were horribly sloppy, is a skewed view of history that doesn't stand up to scrutiny.

Anyone who know's the history of Slash's career and the history of EVH's career can give you a long list of examples, tours, years, eras, etc. where they were not at top form. Just like Page, they were/are largely excellent, but not in absolute.

I'd suggest that your friend bypass certain Zep shows in '75 and '77 (where the substances were really starting to show their effect on performance) and maybe take a listen to the countless shows posted on YouTube from the spring/summer of '69. Have a go at some of the U.S. tours from '70 and '71. Dive into Europe '71, Japan '71 and '72. How The West Was Won is sloppy? Have a watch of the Danish TV special footage - the solos and lightening-fast playing on Communication Breakdown, Dazed and Confused and How Many More Times was sloppy? Also, Listen To This Eddie was from the '77 tour and could stand as an unofficial live album from that era, along with others nights where the performances were "on".

Were the recordings that have sold tens of millions of albums and influenced generations of players sloppily engineered, sloppily produced, sloppily written and sloppily performed? Seems like those albums sound better and more dynamic, and with more energy, than a lot of what you hear from "guitar gods" today. And they were pretty well regarded 50+ years ago as well.

Bottom line...it's a silly statement from a silly person - I'd be looking for new friends. :D;) There is "truth" to the guys' statement....if you want to cherry pick specific songs, shows, tours, years, eras, etc., but also keep this in mind....Zep played their songs differently each and every night. They were flying by the seat of their pants and often (especially in the early days) making it up as they went along. That, and the imperfections that come along with that approach to playing, is one of the things that made them great and still makes them great today.
 
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It’s real and raw.

This sentence is the key. If Zeppelin were to be recorded today they'd pro-tool the crap out of it, "fix" all the mistakes, probably snap the drums to a grid, and wreck the human feel of it all. Bonham is widely considered one of rock's greatest drummers, but the tempos of many Zeppelin songs wander up and down a bit. Rick Beato has a video where he puts the Zeppelin tracks in a DAW and shows the tempo sliding around.

So was Bonham "sloppy"? Who cares, he had feel for miles and was awesome.

That's why I love the Heartbreaker guitar solo. It sounds like Jimmy Page just blasting away, because it is. It's rock and roll.
 
Pagey has always been a bit sloppy. However when you consider the copious amounts of sex, drugs, and rock n roll consumed by the band on tour, it's easy to see why. Paige always sounds good on his records but in the studio you have , plenty of time to get things perfect. That said, I once read a book about the making of Zep 4 and in it the author states that when Jimmy Page did his lead in Stairway to heaven he just walked in with a Telecaster. Then he leaned up against the side of a big Tannoy Studio Monitor and knocked out the lead in one take.

And I recollect that the entire 2nd album (probably my fav) was recorded during their 1969 American Tour whilst on the road.
 
Love the strong negative critiques. While making them, maybe post links to your greatest compositions and hits. Surely they are superior, love to hear them. :thumbsup:

Well a person really doesn't have to post any links to what they have recorded. Because we know that they're not going to be a successful as led Zeppelin was.

But the fact remains that Jimmy Page was at times a sloppy and scribbly guitarist. Anybody who doesn't think so, should go and listen to the song remains the same live album again and hear all the many spots were page is very sloppy. There are also many parts where he is right on point.

And it wasn't just t
Zep there were other bands that didn't come across as good live as they did in the studio Just the nature of it back then. Don't misunderstand me though I am a Zeppelin fan and I always have been.
 
Every song on every Led Zeppelin record still holds up fantastically all these years later.
In comparison, Hot for Teacher is the only Van Halen song that still does it for me.
There are two songs from Guns n Roses that still hold up today.
Three members of Led Zeppelin could do no wrong and the other is a great rock singer that set a crazy high bar for everyone that has had to follow after him.
 
Im sorry, but on what planet would you call any note in that solo a klunker?
Number one, it was totally improvised.
Number two, it was meant to be a chicago electric blues tare down, not a Joe Pass jazz masterpiece.

and I'm sorry you can't hear them.

I despise (In all fairness, probably due to over-saturation in my market) that song enough where I'm not going to go listen to it and count how many notes until the first one.

I hear them (as do other people). It's all well and good to say "it's improvised", but he's in a studio; a place where allowing mistakes out to the public should be criminal (at least in the music world).
 
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and I'm sorry you can't hear them.

I despise (In all fairness, probably due to over-saturation in my market) that song enough where I'm not going to go listen to it and count how many notes until the first one.

I hear them (as do other people). It's all well and good to say "it's improvised", but he's in a studio; a place where allowing mistakes out to the public should be criminal (at least in the music world).
There is so much music that "has been made perfect" in the studio that is painful to listen to.
Relying on modern technology to fix your voice and fix your timing and make your music sound like a machine, should be criminal in the music world.
Lots of rock music (from blues music) is imperfect and I like it that way, if you want perfect music there is lots of it out there that I can barely stomach.
Bands that can't go onstage without lots of backing tracks to help them play a live show should be criminal in the music world.
Bands that have to hire ghost musicians to play and sing from behind the magic curtain to get through a live show should be criminal in the music world.
It's all a matter of taste and Led Zeppelin music tastes good. :bassist:
 
There is so much music that "has been made perfect" in the studio that is painful to listen to.
Relying on modern technology to fix your voice and fix your timing and make your music sound like a machine, should be criminal in the music world.
Lots of rock music (from blues music) is imperfect and I like it that way, if you want perfect music there is lots of it out there that I can barely stomach.
Bands that can't go onstage without lots of backing tracks to help them play a live show should be criminal in the music world.
Bands that have to hire ghost musicians to play and sing from behind the magic curtain to get through a live show should be criminal in the music world.
It's all a matter of taste and Led Zeppelin music tastes good. :bassist:
If you watch any current Disney musical, or the like, it’s obvious that every single beat and measure has been intricately digitally manipulated to perfection. Encanto is a wonderful movie with many great songs, but the vocal performances in those songs simply wouldn’t be possible without blob-by-blob adjustments in Melodyne.
This was proven beyond a reasonable doubt, when a team of Broadway professionals totally botched Bruno at the Oscars a couple of years ago.
Anyway, music is still music, but I think the pendulum is going to start swinging back to genuine human talent and the beauty of its limitations.
 
Every song on every Led Zeppelin record still holds up fantastically all these years later.
In comparison, Hot for Teacher is the only Van Halen song that still does it for me.
There are two songs from Guns n Roses that still hold up today.
Three members of Led Zeppelin could do no wrong and the other is a great rock singer that set a crazy high bar for everyone that has had to follow after him.
I think Slash is a great guitar player and Eddie was just phenomenal but Led Zeppelin wrote so many songs that have held up perfectly over the decades and will do so for many more.
 
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Love the strong negative critiques. While making them, maybe post links to your greatest compositions and hits. Surely they are superior, love to hear them. :thumbsup:
Sorry, but this is a straw man defense.

Music is a subjective art.

We each like what we like, and dislike what we dislike. We are allowed to have opinions on both.

Regardless of our contributions to the art.

I do not have to write a symphony to say that certain composers do not move me. While others do.

Nor do we have to have released numerous multi-platinum records to have diverse tastes or opinions in rock music.

To each their own.

Was Page 'sloppy'? Absolutely (at times). Was LZ great? Absolutely.
 
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Having read Mick Wall's book, it's a wonder that Page could play at all, considering the abuse his body was taking while on tour.

I've got about 40 LZ shows across all the years. There are nights he is ON, and there's nights he is... well...maybe not quite. Particularly 75 or 77.

Consider - he's PERFORMING for 2.5-3 hours, he's working and drenched in sweat, the damn guitar is at his knees. Yeah, there may be a few jazz notes here and there. Doesn't diminish his greatness one bit.
 
Page and Jones were established London session stalwarts, and Plant and Bonham were volcanic talents from the north of England: A potent blend.

What always separated Page from Clapton, Beck, and the other English greats were the absolute guitar constructions that all the Zeppelin albums were. Page pointedly used a different engineer for his producer duties so no one could assign their sound to anyone but him.

The albums showcased broad stylistic samples from electric blues to English folk music to North African influences and more, and the range of moods and sonic soundscapes he built were a big reason I 'd hear other heavy rock or metal and think they were often one trick ponies musically.

A unique career and legendary catalog. I can only say if there are kerfuffles here and there, if it was OK for Page, it's OK for me.