That is great!
I have completely neglected my amazing 1973 Jazz (exactly like a Geddy Lee) and my 1974 Precision (best 70's P I have ever played) for the last 6+ months as My current gigs have required (or sounded better with...) active 5ers.
I pulled out the '73 Jazz at rehearsal this weekend with Monique... And after 1 song.... Back to my active 5ers.
Surprisingly, for me... Monique sounds great with passive 4 string basses, but better with active 5ers. Clear articulation from open B to upper register on the G string is why IMO. Once you figure out how to tame a hot active bass into Monique, all is good.
I have completely neglected my amazing 1973 Jazz (exactly like a Geddy Lee) and my 1974 Precision (best 70's P I have ever played) for the last 6+ months as My current gigs have required (or sounded better with...) active 5ers.
I pulled out the '73 Jazz at rehearsal this weekend with Monique... And after 1 song.... Back to my active 5ers.
Surprisingly, for me... Monique sounds great with passive 4 string basses, but better with active 5ers. Clear articulation from open B to upper register on the G string is why IMO. Once you figure out how to tame a hot active bass into Monique, all is good.
what's funny is I actually put off trying my Fodera through the Monique after some bad results using it through my '64 Ampeg SB-12 fliptop. I just assumed Monique would sound better with my vintage Fenders or Fender-ish basses. To my surprise, the Fodera through the Monique turned out to be such a great combo it's made me completely rethink my sound to the point of ending endorsements....
Not to build up any more suspense....but just wait until you hear it!
