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Let's spread some musical misinformation

Punk, on the other hand, is very un-British. It was invented by Eskimos, who were fed up of living in Igloos, lacking central heating, satellite television and internet connection.
In fairness, everyone lacked an internet connection back then except the military-industrial complex. The Sex Pistols brought this to light with their song Submission.
 
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In fairness, everyone lacked an internet connection back then except the military-industrial complex. The Sex Pistols brought this to light with their song Submission.
The Sex Pistols were a pretty high caliber band. Definitely a lot of bang for the buck at their concerts. Unfortunately, they were banned in most locations once they were classified as an assault band.
 
He changed his name to James Marshall, but the original Jim Marshall sued him for trademark infringement, so he had to change back.
He also tried Lejo Fendur. This made it very easy and cheap for his first wife to leave him, as the marriage document stated she was married to Leo Fender, not Lejo Fendur.
 
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He also tried Lejo Fendur. This made it very easy and cheap for his first wife to leave him, as the marriage document stated she was married to Leo Fender, not Lejo Fendur.
Shortly after his wife left him, Lejo moved to Mexico and opened up a factory there to compete with CBS instruments built in the USA. CBS hit him with a cease and desist order. But being the rebel that he was he kept on pumping out MIM Fender instruments. When the Feds came after him he managed to slip away and CBS confiscated the factory and all the inventory, which they continue to sell to this day.

Lejo now an international fugitive escaped to Japan and set up shop there making Fender instruments to compete with the USA and MIM instruments but CBS caught on quickly and moved in again to have him arrested and his factory confiscated. Once again Lejo escaped the law and slipped into China and CBS took over operations of his Japan factory, which made outstanding instruments for many years.

By now Lejo, now residing in China, realized it was easy for CBS and the Feds to find him because he was still going by the same name. He smartly changed his name again to something that would blend in with the local Chinese culture. He was now known as Lee Ho and again opened a factory to compete with Fender USA, MIM and now MIJ instruments. This strategy worked well for many years.

CBS had squandered a fortune hunting down and trying to arrest Lee Ho (aka Lejo or Leo) and confiscating factories in Mexico and Japan proved to be too costly. They eventually sold off Fender and focused on TV and broadcast business.

Lee Ho, realising that he had beat the big guys and all their corporate lawyers decided to come back home to the USA and start up an entirely new company. He couldn't use his Fender name or it would rekindle the trademark war with the new owners. It was then that it dawned on him, he wasn't really Leo or Lejo or even Lee Ho. Those were just names. Above all else, he was a Music Man.

And now you know the rest of the story.
 
Orville Reddenbacker and his brother Wilbur did not get along. After several unsuccesful attempts at running a business together, they split up after a bitter falling out.

Orville found fame and fortune in the popcorn business.

Wilbur changed the spelling of his name so he wouldnt be associated with his brother. He tried to make a go at making stringed instruments with electronic pickups. But he wasnt successful .
 
Way back in the day, When 45 rpm vinyl music records came out, they were a big hit because they had two songs. The A side was the hit song and the B side was usually a lesser known, less popular song that would not over shadow the A side ditty.

People could buy just the songs they liked, and, they were much smaller than the bigger 33 1/3 rpm albums.

They were also cheaper to manufacture and sold for about one-third the price of a full vinyl album of 8-12 songs. More profit!

And, since we know smaller is better, manufacturers researched and produced prototypes of very small 66 2/3 rpm vinyl, about 3 inches in diameter.

When focus groups were setup to test the 67s, as they were known, the listeners didn't think they sounded very good but could not really pinpoint why. Just an amorphous feeling of lack of enthusiasm.

Even when the focus group leaders explained to the groups what the sound difference was between album, 45s and the 67s, the listeners had a very difficult time hearing anything out of the ordinary.

The one problem that kept the project from moving forward: the bass had to be eq'd out so much(to keep the record player needle in the track) that virtually no bass frequencies were able to be heard.

Even then, with the focus group results, record companies almost did away with bass playing altogether since no one really heard any difference.

To this day, this was the beginning of the myth that only failed guitar players and arthritic keyboard players should and could play bass.

Fortunately, when it came to live music and future recordings, Leo got it right; the Fender Precision bass was designed to help keep the needle in the track with a more mid-range tone.

As technology improved on the record player, other basses with humbuckers and dual J type pickups came into play because new methods were designed to keep the needle in the track.

The lesson is: you don't always have to look for a needle in a haystack if you keep it in the track!

That's my story and I'm sticking to it!
 
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