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Let's spread some musical misinformation

Jazz chords never include a 5th. It is seen a metal note and so is never used. This makes music confusing for aficionados of jazz metal.

. . . . of course when pushing the boundaries of jazz metal, a fifth is a naturally occurring interval.
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The Tone Hammer is a handy piece if kit. If ever you're at a gig and you can't get the sound you want, if the drummer sounds like death warmed up or the singer is scaring the kiddies, just take out your Tone Hammer.
A few well aimed blows — don't be too concerned about where, but the head region's normally a good place to start — will usually be enough to get things back on track.
 
The Tone Hammer is a handy piece if kit. If ever you're at a gig and you can't get the sound you want, if the drummer sounds like death warmed up or the singer is scaring the kiddies, just take out your Tone Hammer.
A few well aimed blows — don't be too concerned about where, but the head region's normally a good place to start — will usually be enough to get things back on track.
Unless you are playing jazz, in which case you want t use a joiner's mallet. And for metal a sledge hammer, unless it is black metal in which case use a rock hammer.
 
Reggae phenomena occur with all types of vibrations or waves: there is mechanical Reggae, acoustic Reggae, electromagnetic Reggae, nuclear magnetic Reggae (NMR), electron spin Reggae (ESR) and Reggae of quantum wave functions. Reggae systems can be used to generate vibrations of a specific frequency (e.g., musical instruments), or pick out specific frequencies from a complex vibration containing many frequencies (e.g., filters).

The term Reggae (from Latin reg, 'un-stick', from gae, 'a Scotch form of go') originates from the field of acoustics, particularly observed in musical instruments, e.g., when bass strings started to vibrate and to produce sound without direct excitation by the audience. If it's a holiday of drunken debauchery you want, this is not your dream destination...
 
The Tone Hammer is a handy piece if kit. If ever you're at a gig and you can't get the sound you want, if the drummer sounds like death warmed up or the singer is scaring the kiddies, just take out your Tone Hammer.
A few well aimed blows — don't be too concerned about where, but the head region's normally a good place to start — will usually be enough to get things back on track.
There is another place that can be hit to get the singer to produce higher notes, way higher. :D
 
Ornette Coleman took his name from a railroad engineer. Touring by train during the 1950's, he overheard a conductor raving about an engineer who was extremely neat shoveling coal. The conductor said: "Now that's what I call an ornate coal man." He figured if it was good enough to get an engineer praise, he might as well try it, too.
 

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