What do you think about a larger enclosure as being a potential option?
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I'm not because the 2020 is a 1:1 ratio high impedance transformer. That simply won't work as a DI Box transformer. However, I have already started working towards producing a TI Box (see my TI Box video from a long while back) using a custom LBA transformer designed specifically for that application. So, its a box that will do the job of a DI Box, while offering a thicker sound. Its at least a few months away from any sort of production. There's a lot of design work that needs to be done first. This morning I ordered a new machine specifically for drilling out the TI Box holes with high precision and speed. I also ordered parts for prototyping the design. Basically, I need to plot out hole locations on the new enclosure and design the PCB. A bunch of parts were needed to figure that stuff out. The enclosure is much larger than that of the 2020 and unfortunately about 5 times the price. I'm not sure how much I'll be able to sell it for until prototyping is complete, but I'm aiming for $149 USD. It will have 1/4" input and through, XLR output, a phase invert switch for the XLR output, and a ground lift switch for the XLR output.@lightningboy: when are you going to do a DI version of this?
@lightningboy Sweet! Will it have a tube too?![]()
Okay, now you're pushing it! ...I'll consider the idea for a future product.@lightningboy Sweet! Will it have a tube too?![]()
I'm not because the 2020 is a 1:1 ratio high impedance transformer. That simply won't work as a DI Box transformer. However, I have already started working towards producing a TI Box (see my TI Box video from a long while back) using a custom LBA transformer designed specifically for that application. So, its a box that will do the job of a DI Box, while offering a thicker sound. Its at least a few months away from any sort of production. There's a lot of design work that needs to be done first. This morning I ordered a new machine specifically for drilling out the TI Box holes with high precision and speed. I also ordered parts for prototyping the design. Basically, I need to plot out hole locations on the new enclosure and design the PCB. A bunch of parts were needed to figure that stuff out. The enclosure is much larger than that of the 2020 and unfortunately about 5 times the price. I'm not sure how much I'll be able to sell it for until prototyping is complete, but I'm aiming for $149 USD. It will have 1/4" input and through, XLR output, a phase invert switch for the XLR output, and a ground lift switch for the XLR output.
Impossible is a strong word but I understand your response (this and those after up to this post). I don't look at "DI" as necessarily requiring impedance or level changes. For example, not all DI's are mic level.It would actually be impossible.
FWIW, the bass player for King Buffalo is using a 2020 at the end of his pedalboard. He's also using lots of nice gear, and the guitarist went to school for recording/mixing. So no doubt they have their sounds together in general, but it's cool to see both of these dudes using LBA stuff. I think these sessions sound fantastic by the way - the bass tone is excellent...
The instruments sounds so good on the new King Buffalo album! Not typically my kind of music, but I've been actually listening to it nonstop for the past 4+ weeks in my car to and from work. I've heard they also use the LBA preamps on some or many of the tracks.This is flat out awesome! Liked and bookmarked...
What a gorgeous board - this and those dope King Buffalo videos finally put me over and I just ordered two!I have to say I can clearly hear the difference running only one. Mine is post 3 leafs, pre Cali and then Noble.
View attachment 3881736
It just touches the floor Fitted underneath a Petaltrain Metro.
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On carpet at home it’s fine.
What a gorgeous board - this and those dope King Buffalo videos finally put me over and I just ordered two!
My experience with transformer 'color' is that it doesn't really show up until the input is pushed a little. This is often how it is applied in studio work. For example, the gain on a Neve style mic pre is raised until you start to hear transformer saturation. Then the input level is increased or decreased to get the desired amount of saturation effect. Overall the effect is fairly subtle when compared to something like a fuzz pedal, but the effect is very real and desireable. (That's why you still see plenty of transformer-based analog signal processors in pro studios today.
In my experience, it really helps to have some kind of controllable signal boost between the bass and the 2020. Even a little boost makes a big difference. Have you tried using a comp, o/d, or boost? I think you will get better results.