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Line 6 M9 & M13 Club

What filter did you use to get that "wet" sound around 2:15. I have really been on the fence about one of these, a deep impact, or a markbass supersynth. But I really liked the FM4 when I had it, and am looking for the "Down with Disease" type sound (I know it is a Lovetone Meatball patch".
Can you edit the patches on the computer on these?

<thumbs up>Fixed</thumbs up>
 
anyone manage to get a usable fuzz? i try to dial in the fuzzes and nothing sounds right, i wanna get my old "mastroton" type silicon fuzz thingy. any tips?

I've never owned a mastotron so I can't say if I'm getting close or not.

I just know that I have my bass turned down quite a bit from max and then adjust the parameters to taste. I run an English Muff'n post effects and that really helps the sound. My fav is the Facial Fuzz fo sho.

Oh that I were more of a fuzz junkie. Then maybe I would be of more help.
 
I have replaced my entire pedal board for live with the m13. I use a furman board set up like so:

Wireless receiver > m13 w/ expression pedal > radial DI > wireless transmitter

Love it my board bass and amp are all wireless and I have everything I need in one board.


I also have an m9 that I use at home as a sketch pad or if I want to go light for a practice or simple play then I just take the m9. I have used the folders to separate the sketch pad. Scene from the scenes for two basses and one all EQ/ambient tone only based scene folder that I take effects from often to sculpt a base tone or jut use for "no effects" play.
 
I was hoping I might be able to get a bit of info from those of you with M9/M13s...

I'm thinking of picking an M9 up to replace a few of the pedals on my board, but pondering the signal chain, I think I would have to put the M9 after my dirt (Pigtronix Disnortion and Tech21 Bass VT) or possibly between the Disnortion and the VT (Disnortion->M9->VT).

My question is, how do the tracking-based effects (pitch shifter, bass octave, etc.) deal with a dirty signal? That is, do they still track after overdrive or fuzz?
 
My question is, how do the tracking-based effects (pitch shifter, bass octave, etc.) deal with a dirty signal? That is, do they still track after overdrive or fuzz?

Not in my experience with the M13. Tracking-based effects should be placed right after the bass signal. That's why I bought an M13 instead of an M9 although I don't need 4 effects at the same time; an M13 has an FX loop.
 
Just got an M13 yesterday, and I'm digging it a LOT so far. I have two quick questions for those who have a bit more experience with it than me, though...

1: Is there a way to set the effects loop to always on, vs. only on when effects are engaged? It's not a huge issue, but I plan on running my Tech21 VT Bass in the loop, which I always have engaged. Right now I just have a fairly transparant compressor setting that I can keep engaged so that I have the effects loop working.

2: Is it safe to remove the screws and rubber feet on the bottom of the M13? I plan on velcro-ing it to a board, and I don't want the circuit board to be bouncing around in there.
 
1: Is there a way to set the effects loop to always on, vs. only on when effects are engaged?

Yes, at least in DSP bypass mode. I have Cream Pie and EHX BMS in M13 effects loop and I can use them although none of the M13 effects is selected. CP is always on :-) I would not be surprised if the true bypass mode bypasses your effects loop too.

2: Is it safe to remove the screws and rubber feet on the bottom of the M13? I plan on velcro-ing it to a board, and I don't want the circuit board to be bouncing around in there.

I did this 18 months ago. Removed rubber feet, put screws back and velcroed the monster. No harm done :D