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Local bass "hero"

I play in a 4 piece cover band and we share our drummer with another local band. His other band was playing a gig at a pub so I went to check them out. It's a three piece classic rock trio made up of some well known and much loved musicians. The show was pretty much what I expected from some of the area's most talented musicians. The bass player is a twenty-something hipster type dude who has got some serious chops. He tends to take a line that requires 10 notes and plays 35 notes instead. While I can appreciate his flashy style, I think it kinda steps on the groove. Whether it's because of laziness or lack of talent on my part, I tend to stay more in the background with my playing. I add fills here and there but mostly I fly under the radar. In the couple hours I was there, I think he played 3 bass solos. People stand and applaud his talents, and rightly so. He is pretty amazing. I just feel like he should use a little more restraint. OR maybe I could take a lesson from him and possibly become less of an unknown. While I used to be a relatively popular musician in the area who had lots of musical opportunities, being away for almost a decade has left me somewhat in obscurity. Maybe I should up my game a bit, though it goes against my instincts as a musician to play on level 10 at all times. My guitar player, who was also at the show joked "If you played like that I'd leave the band". I responded " He doesn't just play the notes, he plays ALL the notes". Maybe I'm just getting passed my prime and jealous of the young bucks getting all the attention. Lol

The best thing I've read on this website, right here below. Make sure to internalize it.
Be a bassist first. Park your ego and if you can't serve the music as it is, learn to. It's your job, as a bassist, to make everyone else sound great. If you're not into this, get a guitar.
 
Here's how to do a bass solo. Check out how none other than Flea owns a lineup of "bass greats" with all their fancy slapping and popping and whatever at the 3:00 mark when his turn comes up. Especially nice is the elegant dismount at 3:27 he uses to wrap up his solo and put a bow on it. (Funny how half the guys up there are looking surprised this tattooed punker can actually play.)

 
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Be the kind of bassist you want to be and don't look back, don't listen to people who criticize you and don't apologize.

A lot of bassists made a big name for themselves by playing all wrong. You just need to find the people who get what you are doing.

Some people will love you and some will hate you no matter what you do. So you might as well play to suit yourself.

Be a hero in the spotlight or the unsung hero in the background. It's all good.
 
Everyone plays differently, the kid is doing his thing and everyone involved is happy. My internal psychologist tells me you're lusting after more ability and wish you had more notoriety. You just need reassurance that your playing is great as it is.

If I'm being honest with myself, I think you're right.

I don't agree with either statement. Not even knowing you I can't read your mind, and don't let others lead you around. You obviously have good taste to sit back in the groove and that's what counts in a band. So the kid's flashy. One day he might be in Hollywood, who knows. Then you'll still be there holding down the groove!
 
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Yeah, nobody like Les Claypool anymore.

When we're young we seek more chops, and being flashy goes with it along with being in one's twenties. It's natural. As we age we seek the heart of the matter conversely. Can't demerit a kid for that. Can't lament being solid (and maybe a a bit more bland) as we age.
 
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Here's how to do a bass solo. Check out how none other than Flea owns a lineup of "bass greats" with all their fancy slapping and popping and whatever at the 3:00 mark when his turn comes up. Especially nice is the elegant dismount at 3:27 he uses to wrap up his solo and put a bow on it. (Funny how half the guys up there are looking surprised this tattooed punker can actually play.)



Great Clip!! Seriously though, I can't say Flea "owned" that situation... He played surprisingly "in the vein" with that genre... Flea is just a great player really... Bunny Brunel, the guy two players after Flea, is a force to be reckoned with and I think it even shows here... Just a tremendous player!! Yay, Bunny!!

EDIT:
After reflection, I think it is evident in Flea's performance that he did his homework before this show. Having been a pupil of Stanley Clarke's Journey To Love and School Days (not to mention RTF), it is apparent that Flea paid a bit of homage to Stanley in his performance. Seriously, both Sheehan and Hamm are great players but- they did themselves, which is cool but, it didn't work too well here... I still think overall Bunny smoked!! What technique!!:)

Stanley really needs to go back to his upright for about a year...:)
The dude can blow but spent many years in music production instead of what any self respecting player would do... Play!:yawn::laugh:
 
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Yeah, nobody like Les Claypool anymore.

When we're young we seek more chops, and being flashy goes with it along with being in one's twenties. It's natural. As we age we seek the heart of the matter conversely. Can't demerit a kid for that. Can't lament being solid (and maybe a a bit more bland) as we age.

Is anybody serious here? Primus can be grating at times, yes but- Les Claypool is an "F'ing" genius man! That cat (along with other players) changed my life!! LES CLAYPOOL? Good God Yes!!
 
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