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Look What Followed Me Home

Looks more like MTI era to me. I thought the Skunkworks heads all have the logo on the left side of the head like they do now.
the one in the OP, looks MTI, but, this one here seems to have an angled head cab & the emblem on the left...

upload_2020-9-21_0-59-10.png


or maybe an HD?

If you follow back to my post, I quoted this post/image...
 
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the one in the OP, looks MTI, but, this one here seems to have an angled head cab & the emblem on the left...

View attachment 3991026

or maybe an HD?

If you follow back to my post, I quoted this post/image...
Ah, OK. Maybe that one's a Skunkworks. Old Fart's is definitely an MTI, though. What happened to the print on the faceplate? Over-aggressive cleaning?
 
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Yup, mine is MTI. I think, but do not know, that Skunkworks units have the normal angled top portion of the head box. My MTI has black corner hardware. Some MTIs apparently have silver corner hardware. I should TOTALLY get four black anodized corner pieces and put them on this 810. That would be badazz.
 
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Not wanting to draw attention but just resurrecting this thread to deliver my Progress Report. First, I find that a vintage SVT with Winged C 6550s and vintage input tubes (including 12DW7) through an Ampeg 810e makes the PERFECT practice amp. Grin. This thing is a tone monster. I have A/B'd it periodically with some other nice equipment and nothing compares. LOTS of fun.

Also, I totally understand and agree I will not understand the value of this cabinet until I play it in Battlefield Conditions. I hope I will get to do that. Standing in front of this thing on stage might just be a transcendent experience. Likely. Plus, there will be that priceless look on the lead guitarist's face. Despite his chagrin, it will surely make the whole band sound better. I have heard them from the floor, and they have produced some of the finest bass tones I have ever heard.

This concludes my report. For now.
 
Not wanting to draw attention but just resurrecting this thread to deliver my Progress Report. First, I find that a vintage SVT with Winged C 6550s and vintage input tubes (including 12DW7) through an Ampeg 810e makes the PERFECT practice amp. Grin. This thing is a tone monster. I have A/B'd it periodically with some other nice equipment and nothing compares. LOTS of fun.

Also, I totally understand and agree I will not understand the value of this cabinet until I play it in Battlefield Conditions. I hope I will get to do that. Standing in front of this thing on stage might just be a transcendent experience. Likely. Plus, there will be that priceless look on the lead guitarist's face. Despite his chagrin, it will surely make the whole band sound better. I have heard them from the floor, and they have produced some of the finest bass tones I have ever heard.

This concludes my report. For now.
Played an SVT RIG on the circuit many times in my youth. Nothing like it! Good for you!:thumbsup::thumbsup::thumbsup:
 
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Not wanting to draw attention but just resurrecting this thread to deliver my Progress Report. First, I find that a vintage SVT with Winged C 6550s and vintage input tubes (including 12DW7) through an Ampeg 810e makes the PERFECT practice amp. Grin. This thing is a tone monster. I have A/B'd it periodically with some other nice equipment and nothing compares. LOTS of fun.

Also, I totally understand and agree I will not understand the value of this cabinet until I play it in Battlefield Conditions. I hope I will get to do that. Standing in front of this thing on stage might just be a transcendent experience. Likely. Plus, there will be that priceless look on the lead guitarist's face. Despite his chagrin, it will surely make the whole band sound better. I have heard them from the floor, and they have produced some of the finest bass tones I have ever heard.

This concludes my report. For now.
Completely agree ...and all my best concerts I recall , I always had one or two SVT stacks...The best!

others with..Marshall 400 stacks.....and even A Fender Studio Bass, 200 loud Tube watts