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Looking for a better B string

Another nod to Lakland here. Favorable experiences on a couple Modulus Q5’s as well.

Haven’t played Dingwall but from what I’ve read/heard, it’ll get you what you’re looking for tone-wise. Aesthetics may be another story, depending on your tastes.
 
So far I've owned Wal and Sadowsky at 34" scale and Lakland and Mike Lull at 35" scale. All these basses had great B strings. I briefly owned a Fender Am Std Jazz 5 string. The top 4 strings were very good but the B string wasn't great.

My guess is the scale length is less important the better the bass.
 
So I will recommend either Modulus or a GGould. My Modulus' have great B strings and I just use a .125 B. Can't go wrong with Dingwall either; I have both. Gould's (Geoff Gould) are easier to get than a new Modulus and at half the cost.
 
I have tried many kinds of strings for my Fender American Deluxe Jazz V and all the B strings were weak, especially compared to my 35" basses, until I put Chromes on it. Now the B string sounds good and I don't have to use a different touch on it than I use on the other four strings.
 
I don't think scale length is the end-all-be-all for B strings. I use 34" scale 5-strings with 40-120 strings, and their B's feel and sound solid to me, especially the one strung with DR Lo-Rider steels..

TLDR: Try the D'Addario nicklewound .145 for B if you want more tension, with one of their 4 string packs.

Same experience here. I have the Warwick in my sig in drop G with a D'Addario .170, for the low G. Sounds fine. Same setup on my Epiphone LP bass, same tuning, but a .160 D'Addario (on that one I pick closer to the bridge). For reference, I also have an Ibanez BTB806MS (37-34.5") in F# with Dingwall nickle plated steel strings .170 F#. The 34 inches on the Warwick in G with a .170 sounds just fine, like the 37" F# .170 on the Ibanez or the .160 on the Epiphone. You just need the right sized string, and tone.

I'm fine with .130 for B, but I currently use .145 for A on one of my other basses, then just buy a 4 string pack of the same string as the low one, and if it's a 4 string, leave off the highest string.

For tone, some overdrive always helps, maybe some extra treble.
 
A GHS Contact Core Super Steel .129 or .130 has rescued a lot of basses that I was about to give up on because of poor B strings, apart from a few that were beyond help.

I think basses are getting better and better over time with regards to having true, well balanced B strings, and there are lots of good choices out there. I agree with what others have said here regarding scale length not being directly related to the quality of the B.

I tried out an Ibanez EHB 1505MS recently, and I was blown away by the B string. Although I didn't like some other things about it, if I were to live down on the first five frets on the B and E strings (maybe for a reggae, dub or modern R&B situation) that bass would be high on my list.
 
My first quality bass was a Fender Jazz V. The B was only useful as a thumb rest. I’m a firm believer in 35” scale lengths for a low B. My Cirrus V had the best sounding and feeling B I’ve played.

Cirrus strings are also fanstastic.
 
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You named two separate problems;
1. Weak; if that means low volume / lower output than the other strings, the possible causes / solutions; Strings, pickups, pickup height, onboard preamp / EQ, amp, speaker cab.

2.
Floppy; if that means the B string seems to have a lot less tension than the other strings, the possible causes / solutions; string, setup.

If your bass rig starts rolling off at around 48Hz and is down 3-4db at 35Hz, most bass B strings will sound weak on notes below the 5th fret through that rig.

If your bass is set up with the action @ 3/32” at the 12th fret all the way across with about 0.005” neck relief at the 8th fret, the B string (and likely a few other strings) will feel like Pahoehoe poly strings on a 20” scale ukulele bass.

A poor B string doesn’t know what bass it’s on if it’s between two witness points 34” apart & tensioned up to the vibrating pitch of about 31Hz. It also doesn’t know what pickups are under it and how far away the frets are.

When these threads come up, you see those that have a 34” scale bass with a no-good B string, and a few dozen that have a 34” scale bass with a great B string. Both circumstances can exist with different strings, pickups, setups, amps & cabs. Your B string output could be weak because the string is so floppy its vibration is choked out from hitting the frets. That’s still a setup &/or string cause / solution.

Jack up the action on the B where you know it’s not fretting out, raise the pickups up closer to the B, play it kinda hard. If it’s still weak, try it on another bass rig if possible. If the E & A strings sound good, and the B is from the same set, you can probably start thinking, pickups, setup, amp, cab.

The solution exists. Good luck.
 
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Yamaha BB basses have a great reputation.
John Patitucci plays this among others.
Screenshot_20230604-224245.png
 
Luthier Keith B. Roscoe recommends non-tapered .125 D'Addario nickel rounds for B on all of his 5s and 6s. Applies to both 34 and 35 inch scales.

Let me say, I'm a fan of Roscoe basses and Keith does fantastic work, but his recommendation, as stated, is strictly because of perceived "intonation issues" with taper wound strings. However, as someone who has owned several Roscoe basses and strung every one of them with a tapered Elixir .130 B string, I've never found there to be any intonation issues with the tapered B whatsoever. In fact, the the taperwounds intonated better.

Get a tapered string

This. A good taper wound .130 B string will do wonders. IME, the taperwound B strings sound so much more like the rest of the set compared to a non-taperwound string on 34" scale basses.
 
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I didn't go through the thread to see if anyone has mentioned this, so.... Have you tried an exposed core B string? I have a Fender am dlx V. Killer workhorse type bass, but the B just wasn't there. Carey Nordstrand (the wizard of bass) had me try an exposed core 125 B. Considerably better. Pretty much even with the other strings now.
 
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Long scale often helps but a nice stiff 34 inch wenge neck can also serve up a good B string. Check out the Cort B5s. Obviously has nothing on a dingwall but my Cort Artisan 5 string with wenge neck and cobalt flats is usable at least to the 12th fret before wolf tones become a problem.
 
Sometimes low tension strings are a little less floppy and more consistent in my experience. LaBella LTF B (.118) is pretty great, and I've combined it with my favorite LaBella set 760FL to great use.

Also, the GHS Precision Flats custom set CM3050 with a single B string (.126) has been really great too.

As far as basses go, the G&L Kiloton 5 is my favorite favorite five string that I've played, 34" scale. Probably my favorite bass overall if I'm being honest.

Counterintuitive but I do think there's something to this (lighter B string). I have a 4 string Fender Jazz strung BEAD and it definitely likes the lighter .120 B string on it now than the .130 I had on it before.

That said, I also have a multiscale singlecut 5 string (and have had a Dingwall previously) - very rigid neck being multi lam and graphite reinforced - and the B really sounds good on that - though I think the bigger difference is the feel. Still, the B on the Jazz certainly does the job as well.
 
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