You can play it fingerstyle, it works fine. It isn't as loud as with a pick though so when playing acoustic with other instruments a pick is better.First I've heard of a mandocello. What a wonderful word. To bad you can't fingerstyle it.
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You can play it fingerstyle, it works fine. It isn't as loud as with a pick though so when playing acoustic with other instruments a pick is better.First I've heard of a mandocello. What a wonderful word. To bad you can't fingerstyle it.
I have wondered about stringing an acoustic bass guitar ADGC, with the idea that the higher tuning would fit the resonant frequency/size of the instrument better and yield more acoustic volume.24076567[/URL], member: 347603"]I got a parlor bass tuned CGDA (octave up from my bass guitar tuning. It pushes in that range. I tried tuning it FCGD and GCGD but the low string got lost in those ranges, much less push.
I realized that if I'm going play plugged in anyway, I would just play an electric.
I'm probably going to put together a video tomorrow.This is what I'll do. All those huge basses are for sure delivering, but more flexibility and portability I get with such a combination.
BTW I ordered myself an E-Bike and it's metaphorically the same thing - my bio-power + some "electric tailwind".
Looking forward to go with the E-Bike, an ABG on my back and a Joyo MA 10-B (or similar) to those summer-things.....
I actually have one of those, same year, even. Not as loud as you might think, but it's the right idea. I think the top is a bit too thick. I got mine going fairly well with GHS Crossovers EURB strings.This looks interested, although it looks like it needs some TLC on the finger board...and it's not cheap.
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I love the acoustic bass sound but they are quiet and harder to play. I've owned a Fender BG-29, giant Dean and Luna Tat uke contrabass.
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The Fender sounded best, even with the recommended phosphor/bronze strings I used. But harder to play for a novice than a solid body bass. And precise intonation is not possible.
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The Dean was acoustically loudest and sounded OK. It was cheap and nicely made but very hard for an arthritic oldster to play because of its girth.
And the non-battery piezo passive amp was not good.
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The Tat by Luna was fun to play, nice metal strings, good sound, easy to carry and cheap @ $200usd.
But it is acoustically louder because it's tuned to guitar pitch. No built-in tuner, precise intonation is not possible.
Similar here, my Roland Bass Cube cost $300 two years back but does lots more vintage bass modeling, effects, drum tracks than the Pignose.
So it's a great practice amp even if you never play with others (me) or go a-busking.
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Thanks for the link, interesting.
If I'd kept my giant Dean I'd have replaced the useless built-in amp. It was the loudest unplugged and fine for an unaccompanied bedroom bass player like me except for its ergonomics. I'd have put tapewounds on it.
Get a acoustic bass for the fine woody tone and the convenience of keeping the thing next to you on couch to instantly bust out some bass riffs when inspiration strikes.
When playing with others or competing with a guitar though, bring a little amp.
This looks interested, although it looks like it needs some TLC on the finger board...and it's not cheap.
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One thing to keep in mind about the Regals is that they were designed for all metal strings, not URB strings (typically metal wraps over gut or nylon core). The higher tension strings I tried on it, the louder it got.I do not see anything rough or wrong with the fingerboard, and that at worse is the second best-conditioned bassoguitar I have encountered . . . maybe the best. And, very rare, it appears to be all original, the only exception possibly being the bridge. And yet, that bridge looks very like one on mine, which I thought was a home-carved replacement. I nearly choked on my A&W when I saw the bridge on this one.
For a bassoguitar in this condition, this is priced *very* reasonably.
Regal had the sense to put an overstand on the neck on these, like on a DB. They are not DB loud, but they are loud enough to hang with a few acoustic guitars. The tops may be overbuilt (a common flaw of ABGs in general), but I think the sonic issues have more to do with the ladder bracing, which is overbuilt.
Mine do not sound like a DB. I'm going to have to try different strings.
I wouldn't say they're not a bass, they're just a piccolo bass.I have wondered about stringing an acoustic bass guitar ADGC, with the idea that the higher tuning would fit the resonant frequency/size of the instrument better and yield more acoustic volume.
Although given that many ABGs aren’t much bigger than a guitar, even that tuning would be below the instrument’s resonant frequency. (I’ve read that standard guitars aren’t even quite large enough for their bottom E—the resonant frequency is closer to G, if memory serves.)
So I could see how CGDA (or maybe DGCF, if one wants to stick with fourths) would suit these instruments well. Of course, at that point they’re not really a bass anymore...
I do not see anything rough or wrong with the fingerboard, and that at worse is the second best-conditioned bassoguitar I have encountered . . . maybe the best. And, very rare, it appears to be all original, the only exception possibly being the bridge. And yet, that bridge looks very like one on mine, which I thought was a home-carved replacement. I nearly choked on my A&W when I saw the bridge on this one.
For a bassoguitar in this condition, this is priced *very* reasonably.
Regal had the sense to put an overstand on the neck on these, like on a DB. They are not DB loud, but they are loud enough to hang with a few acoustic guitars. The tops may be overbuilt (a common flaw of ABGs in general), but I think the sonic issues have more to do with the ladder bracing, which is overbuilt.
Mine do not sound like a DB. I'm going to have to try different strings.
One thing to keep in mind about the Regals is that they were designed for all metal strings, not URB strings (typically metal wraps over gut or nylon core). The higher tension strings I tried on it, the louder it got.
I don't know where they got or made them, but I'm pretty sure the original strings were basically just big guitar strings - bronze wraps for sure, I think metal cores, but I don't know now where I got that...Did they even have all metal bass strings in 1937? Mandobass strings?
This photo concerned me a bit. Notice the top fret line.
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I don't know anything about these instruments, so I don't really know what I am looking at. However, it looks like the bass was originally fretted, and the frets have been removed and the holes filled. The top line looks like something is going on, but perhaps it's just the photo.
Otherwise looks like a very cool old instrument in very good condition.
They were never fretted, the fret lines were made by cutting fret slots and then filling (with what, I'm not positive, not solid wood though). I agree with @GretschWretch, that's in the best condition I've seen.
This photo concerned me a bit. Notice the top fret line.
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I don't know anything about these instruments, so I don't really know what I am looking at. However, it looks like the bass was originally fretted, and the frets have been removed and the holes filled. The top line looks like something is going on, but perhaps it's just the photo.
Otherwise looks like a very cool old instrument in very good condition.
Hey fellas! Wanna buy a 4-string acoustic which has some volume unamplified. All the ones I tried would not cope with one loud or 2 acoustic guitars.
I saw some older posts here but want to know what's up in the meantime.
Thanks for all your suggestions !!
Funny how some people don't seem to realize this, but are well aware of the difference in tone between a Precision and a StingRay.IMHO your potentially missing out on the unique sonic qualities of a good amplified ABG. My Tacoma Thunderchief sounds incredible plugged in at low volume. There's a certain interaction between the amp and bass that is simply awesome! You're not going to reproduce this sort of sound with a slab.