I spent some time chording on this thing and I think that is where the flat crossover (I turned the attenuator to noon, which is -3db or so, so flat with the 3015LF) really comes into play. Chords sound AMAZING on this cabinet. I played the little part from Scar Tissue where the bass chords during the solo and the sound difference from the 8MRA to the 6nd410 is literally ridiculously obvious.
The higher strings really, really stand out - even though they're quieter due to my bass's setup, they just don't seem to get caught in the MUD of the 3015LF when chorded with lower strings.
It sounds great right up to the higher B chord (E-string 7th fret) before it starts to sound weird due to the low note.
Also, slap and pop sounds great even with no horn, imho. I could see having a little sizzle being nice, but the popped strings really zing out of that mid driver.
I'm gonna hook up the distortion pedal next
The higher strings really, really stand out - even though they're quieter due to my bass's setup, they just don't seem to get caught in the MUD of the 3015LF when chorded with lower strings.
It sounds great right up to the higher B chord (E-string 7th fret) before it starts to sound weird due to the low note.
Also, slap and pop sounds great even with no horn, imho. I could see having a little sizzle being nice, but the popped strings really zing out of that mid driver.
I'm gonna hook up the distortion pedal next
