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Make YOUR own "bass tone" pie chart!

Here's my estimate. Not a strong advocate of the "tonewood" thing but I'm not a luthier, what do I know ?
Added the action as it matters a lot to me and I have experience with it.
Also added the frets, I think their impact is underestimated (see Lee Sklar) but again, no experience with this.
meta-chart(4).jpeg
 
Here's my estimate. Not a strong advocate of the "tonewood" thing but I'm not a luthier, what do I know ?
Added the action as it matters a lot to me and I have experience with it.
Also added the frets, I think their impact is underestimated (see Lee Sklar) but again, no experience with this.View attachment 782497
There seems to be almost a consensus that neck material/construction makes no difference. Amazing.
 
There seems to be almost a consensus that neck material/construction makes no difference. Amazing.
Nah I agree, I should have included it, somewhere near "Strings" I think, definitely more than body / fretboard material. I think this is what you hear the most when you play a bass unplugged.
Please share your pie chart ;)
 
13% for the bridge and zero for neck material/construction?
There seems to be almost a consensus that neck material/construction makes no difference. Amazing.

Hmmm.. I didnt' include neck separately because it wasn't on the original list - and I didn't really think about it because I play a neck-through... so for me it would be neck/body = x% and body wings = almost 0%. I'll confess to a belief that for a neck-through, a solidly and reasonably well-informed constructed beam of the appropriate laminated woods is a pre-requisite platform for decent tone, and that variations for wood choice etc. are pretty esoteric and nominal compared to other factors.
 
Ok, well, just to play along -- this is purely my subjective impression, and leaving out player and amp and pedals to just talk about the features of the bass.

meta-chart.jpeg


I have my doubts about the whole "tonewood" thing, but I will say my Carvin SB4000 with an ash body and ebony board is definitely "zingier" than other jazz basses I've played with the same strings. Maybe it's something other than the wood, who knows, but I'm willing to give the wood 10%.