- Apr 21, 2000
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- Gallien Krueger for the last 12 years!
This may not help, but that's the "sting" he said he stole from Verdine White. I've gotten the same effect by sliding up and hammering on the VERY next fret 3 times.
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I don't think he's bending the string. He's doing what I call a 'trill'! When he slides up to the high note, he's simply sliding his hand back and forth between frets very fast! Kinda like a 'shaking the dice' like motion.Sounbwoy said:Not trying to revive the thread for too much longer, but I did have a long standing question on Mark's technique. When he does the slide, sometimes he'll go up, stop and do a vibrato of sorts??![]()
Is he "bending"help: again!!) the string to get that OR is he doing a hammer on on the next fret up from where he stops OR just going back and forth rapidly with one finger between the frets where he stops the slide?
For examples, he does just before the verse in "Feel My Love" and a lot in "Slide"....
It sounds to me like he's bending the string, but the life of me, I can't get that sound when I try....![]()
DWBass said:I don't think he's bending the string. He's doing what I call a 'trill'! When he slides up to the high note, he's simply sliding his hand back and forth between frets very fast! Kinda like a 'shaking the dice' like motion.
I would think 'hammer ons' would give a very different effect, IMO! Because he's not 'attacking' the string but simply sliding back and forth.Woodchuck said:That's how Stu Zender does it. The quick triple hammer on is much easier. Then again, it's really a matter of tastes.
DWBass said:I would think 'hammer ons' would give a very different effect, IMO! Because he's not 'attacking' the string but simply sliding back and forth.
Sounbwoy said:Not trying to revive the thread for too much longer, but I did have a long standing question on Mark's technique. When he does the slide, sometimes he'll go up, stop and do a vibrato of sorts??![]()
Is he "bending"help: again!!) the string to get that OR is he doing a hammer on on the next fret up from where he stops OR just going back and forth rapidly with one finger between the frets where he stops the slide?
For examples, he does just before the verse in "Feel My Love" and a lot in "Slide"....
It sounds to me like he's bending the string, but the life of me, I can't get that sound when I try....![]()
BassSlave said:He uses vibrato. A little rapid and agressive. The kind that spans two or more frets using the same finger you slide up with.
AHA! And there it is! I THINK I remember seeing that when I saw them waay back, but I wasn't sure. That takes a lot of work, seeing how often he does it. Whew!BassSlave said:He uses vibrato. A little rapid and agressive. The kind that spans two or more frets using the same finger you slide up with.
Man, you are so right! In fact, in my band, the cats have a strong desire to play funk music and to play 'funky' in general but, sadly, they just don't have it!JAUQO III-X said:Drummers can't hold a basic groove, Bass players don't know what a groove is and Funky rhythm and lead guitarist are non existent or very very close to extinction. Seriously, no one can fake the spiritual feeling of Funk music.
Unless you look into the urban Gospel field! There's some bad@$$ cats layin' it down! Other than that, it is truly a sad thing to see a genre like funk die a slow death! At least Prince (again, an older cat) is doing his part! Hopefully some young cats who recognize the importance of The Funk and start forming funk bands again.JAUQO III-X said:It's really sad and pathetic at the same time and it's very rare to find a Drummer or Bass player under 30 years of age that can actually bring the Funk especially when they profess to play Funk.
BuffaloBass said:Can you DW, Jauqo, S Bass, put in words the essence of the Funky Feel ??