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Matching Headstock

I like matching headstocks when the fretboard is dark and/or when the headstock wood is plain looking. Light colors (whites, yellows, pale greens and blues) can also look good next to a maple fretboards. My birdseye and figured maple headstocks are non-matching. I like seeing the figuring more than I want it to match the body. I also had a gold BFR Bongo with an all rosewood neck and fretboard. The grain in the rosewood was gorgeous so EB glossed to headstock instead of painting it... the right choice IMO.
 
I'm all for it, I have the Lakland in my profile picture and this guy:
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See avatar. It means the bass is finished. Not sure why some people don’t finish painting their guitars. You wouldn’t paint half your car. Just because Leo did it that way 70 years ago?
Due to some builders not finishing the job some of my basses and guitars have unfinished heads. But most of mine are completed.
 
Modern-style basses... fine... have your matching, painted headstocks. But it looks too showy on a Fender.

We rarely (if ever) see Knopfler, Clapton, Beck, SRV or Hendrix with matching, painted headstocks on their Fenders. There's a good reason for that... and for me, the same guidelines apply to Fender basses.

But on a traditional Fender or a bass that mimics this style with a matching headstock is like a sports car with matching wheels instead of alloys -- it looks tacky, out of place and just makes me wonder "why?" :cool:

wheel-painting-houston.jpg
 
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I don’t really care about it, but I agree with folks that say yes on dark fretboards (ebony, rosewood etc) and no on bright fretboards (maple, most pau ferro etc).

For the first time today I realized that I actually quite dislike it on any P bass, but it looks really well on Jazz basses (with a dark rosewood board).
 
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