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Melodic bass players.

Huge influence on me.
Oh, yeah. On me, too. His playing on I Don't Want to Go to Chelsea made my head explode when I was first learning to play. He and Graham Maby might be the two players most responsible for me picking up the bass in the first place. British pop, from that time period especially, produced a lot of really great, melodic bassists. Those two, Metcalfe, Moulding, Giblin, Matthew Seligman....

How about Horace Panter, Charley Anderson and Mark Bedford from the Two-Tone ska scene of that time? Amazing players!
 
Not looking for soloist or front man playing like... Marcus Miller, but players who's primary role is backing up a band; like Colin Moulding.

How about a melodic sideman like Marcus Miller?

Or Wilton Felder (whom we just lost at the end of September)?

Also, another big +1 to Bruce Thomas and Graham Maby. Those guys are champion.
 
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Good call! You know your stuff, sir. Early Cocteaus is still my favorite. I like a lot of the later stuff as well, but the more buzzy, raw, harsh-sounding early work stands up best for me in some ways.

Early Cocteaus was quite an influence for me and I wrote some Heggie-inspired pieces back in the day, just with a King Crimson twist by having them all in 7/8 or 11/8 or whatever :) But my influences are fairly all over the place...
 
+1 on Moulding. Ironically, Andy Partridge (guitar) was the one who came up with that particular line (I learned some years ago).

"One of the Millions" from the same album is another busy line, and that's all Moulding, AFAIK. Top musicians, all of them, though, and well-crafted production and choice of contrasting lines for all instruments on XTC songs, pretty much. And the decision to do English Roundabout (an ode to the 'Magic Roundabout' in Swindon I accidentally found myself on once) in 5, to honour its 5 mini-roundabouts is very playful.
 
"One of the Millions" from the same album is another busy line, and that's all Moulding, AFAIK. Top musicians, all of them, though, and well-crafted production and choice of contrasting lines for all instruments on XTC songs, pretty much. And the decision to do English Roundabout (an ode to the 'Magic Roundabout' in Swindon I accidentally found myself on once) in 5, to honour its 5 mini-roundabouts is very playful.

Actually, every single bass line from that album is great. Moulding has a very similar vibe to McCartney.