Buzz, I don't think the 60/340/2K was a mistake by any means. It seems (to me at least) that the vast majority of WB's out there are made this way.
I'm guessing that Mesa went with logarithmic pots due to the way the 3 parametric controls overlap each other. Basically, you have fine control on the very low end, then as that first (lowest frequency) para increases in frequency, it starts to crossover into the beginning region of the next pot, and so on. I'm guessing that because of the minor differences most people may hear at the highest frequencies (above 6-8K), that having fine control on the top end (the last 1/3 of the last pot) wasn't as critical as the rest of the spectrum. Based on how it sounds to me I think they got those controls just right, and wouldn't want it any other way.
Not being a technical person I have a different perspective on this: 60hz, 340hz, 2k corresponds to many simpler amp's Bass, Lo Mid, Treble tone stack. Noon/"flat" is default setting.