TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I use one 4-ohm 410. It's incredibly loud, very punchy, and the best-sounding cab I've ever heard. The perceived volume may have to do with the voicing of the cab, which has a lot of oomph in the low mids. To my ear, it's a great compliment to the M9, which seems to have a very slight scoop in the low-mid region.
I recorded almost all of the bass tracks on our album using a Carbine/Uber 410 mic'd rig. If you're interested in hearing the results, I can shoot you a PM with our website and some info detailing the basses used and entire signal chain.
I'll definitely take you up on the offer . I have to get a little sleep in before I go into work tonight (third shift = I don't doubt the Genz cabs are spectacular but I certainly wouldn't describe the Mesa cabs as mediocre. I run my Carbine with a PH412 and its simply sublime! Its a neo cab so no overly heavy.
I use one 4-ohm 410. It's incredibly loud, very punchy, and the best-sounding cab I've ever heard. The perceived volume may have to do with the voicing of the cab, which has a lot of oomph in the low mids. To my ear, it's a great compliment to the M9, which seems to have a very slight scoop in the low-mid region.
I recorded almost all of the bass tracks on our album using a Carbine/Uber 410 mic'd rig. If you're interested in hearing the results, I can shoot you a PM with our website and some info detailing the basses used and entire signal chain.
Different strokesI've just never played a Mesa cab that, to my ear, was anything other than "meh".
I wish there was a Genz dealer in my area that actually carried their cabs as the Uber stuff does look really cool.
I really like "Has Forever Died" on your myspace page.
I use one 4-ohm 410. It's incredibly loud, very punchy, and the best-sounding cab I've ever heard. The perceived volume may have to do with the voicing of the cab, which has a lot of oomph in the low mids. To my ear, it's a great compliment to the M9, which seems to have a very slight scoop in the low-mid region.
I recorded almost all of the bass tracks on our album using a Carbine/Uber 410 mic'd rig. If you're interested in hearing the results, I can shoot you a PM with our website and some info detailing the basses used and entire signal chain.
HI
Just played my first gig with an M9. Pretty crazy. Way too loud. So much power. Paired it with a Berg HS410. Super fast sounding, loud!!! I used position 3 w the graphic eq engaged. Too quick to tell if this will be where Ill leave it. The gig I did was a metal type gig. I used my Sadowsky PJ5. Top end sounded killer!! Thick, powerful. I started w the gain on about noon but backed it off to 9 oclock. Bass and mid know 1 oclockish. Didnt use the compressor. Master so low I couldnt believe the volume. I turned down once in soundcheck and twice during the gig. LOL. So far, so good. Looking forward to trying other settings for my other gigs
Rob
HI
Just played my first gig with an M9. Pretty crazy. Way too loud. So much power. Paired it with a Berg HS410. Super fast sounding, loud!!! I used position 3 w the graphic eq engaged. Too quick to tell if this will be where Ill leave it. The gig I did was a metal type gig. I used my Sadowsky PJ5. Top end sounded killer!! Thick, powerful. I started w the gain on about noon but backed it off to 9 oclock. Bass and mid know 1 oclockish. Didnt use the compressor. Master so low I couldnt believe the volume. I turned down once in soundcheck and twice during the gig. LOL. So far, so good. Looking forward to trying other settings for my other gigs
Rob
Fixed it for ya...Sadowsky P/J 4/5 or JJ 4/5 + just about any friggin' amp + just about any friggin' cab = win!!!![]()
![]()
![]()
![]()