Plenty of volume from the fans cause their stuck on high all the time. They never shut off
IIRC there was a factory update to address that. I sent my MB800 to them, and they fixed it.
That said, the Mesa D-800 fan is quieter.
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Plenty of volume from the fans cause their stuck on high all the time. They never shut off
Not knocking other amps, but if there is a choice of quieter fan, why do some companies choose louder ones? Cost?IIRC there was a factory update to address that. I sent my MB800 to them, and they fixed it.
That said, the Mesa D-800 fan is quieter.
Not knocking other amps, but if there is a choice of quieter fan, why do some companies choose louder ones? Cost?
IANA tech or designer, but I have a guess. The very small height of the GK limited the diameter of the fan they could install, so it had to run at a higher speed to pull enough air through to move out the heat.
That's just me, spitballing...
So I'm guessing that at some point one became available because I guess they updated it?
Don't assume that the WD and TT are necessarily better. I had a WD and didn't care for it nearly as much as the 800+. For me it was the difference between tube sound and SS. I doubt I'd like the TT for the same reason, as I prefer SS amps.PS: the TT 800 is getting all the love these days. I have no doubt that it's an even more awesome amp. I don't think, personally, that I need all that. Maybe I will in a year.... The 800+ seems like the culmination of Class D design. Or let's say, the apotheosis, to use a 20-dollar word. It's a big deal, and I hope it's not overshadowed by the TT 800.
That's surprising because from most posts I've read, you're more likely to make the WD sound like their other amps (than vice versa) because of it's tube-pre and more extensive EQ section.Don't assume that the WD and TT are necessarily better. I had a WD and didn't care for it nearly as much as the 800+. For me it was the difference between tube sound and SS. I doubt I'd like the TT for the same reason, as I prefer SS amps.
Honestly, I couldn't get half what I wanted from the WD as I can from the 800+.
I think there are few areas where the voicing is close and some might even say it overlaps between the heads, but IME each head has its own unique tonal focus and features to appreciate. I think the main differences are driven much more the voicing goals of each design than whether the tone is produced by a tube, multiple tube, or all SS front end.That's surprising because from most posts I've read, you're more likely to make the WD sound like their other amps (than vice versa) because of it's tube-pre and more extensive EQ section.
It's entirely possible I'm an idiot.That's surprising because from most posts I've read, you're more likely to make the WD sound like their other amps (than vice versa) because of it's tube-pre and more extensive EQ section.
You’ve succeeded well beyond most people’s expectations I think. My opinion is that it’s the best class D lineup on the market.To clarify, there is a range of tones on the new Subway amps just like there was a range of tones on our older amp models.
I have taken the older range and brought them forward with the help of discussions and opinions here in TB and from my experience in the touring world as well as feedback I have received along the way.
So, there kinda of is and kinda isn’t a Mesa/Subway tone but there is an admittedly broad theme or family of tones that range from clean and open to fairly harmonically complex and textured. Common points include a round bottom with reasonable extension, articulation in the middle and a not overly bright or aggressive top end.
For me, it's all about the midrange, and I preferred the d800+.
Key word being "preferred."
LOL-for me it's also all about the mids......which is why I prefer the WD800...... Vive les different strokes