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micing vs. DI

this topic has been beat to death on here. but i'll bite.

Buy a mic (use the search function for recommendations on good mics) and a stand.

I know it was probably discussed on numerous occasions, but I'm new around here. Sorry.

Tried to search it, but it gives so many topics I don't know where to start:eyebrow:

did you have one specific topic in mind? I would appreciate the help.

edit- I used to get alot of "well your head has a DI lets just use that" when I had a head with a DI on the back, I started just telling sound guys it was broken which tended to work fine in convincing them to let me mic it.


:D
 
I don't find that most DIs or cabinets with compression drivers play very nicely with distortion effects. A few of the speaker sim DIs do ok but for my money, they don't measure up to a microphone. Cabs without tweeters attenuate the very top end which is conducive to a pleasing distortion sound. This is why you almost never see a tweeter in a guitar cabinet.

I will have 20 years experience mixing live sound this summer (man, I'm getting old) and if I'm working with a bassist that uses distortion, I get a mic ready (and a DI too if I have enough channels on the desk). I also tend to talk to the bands to get a sense of what they're looking for sonically and if they have any preferences for mics/DIs etc. It's too bad that many sound people don't do this.

well, if all sound guys were like you...
 
Well, it's still speaker or DI, but have you tried speaker level DI? In other words, there are certain DI boxes that allow you to run your speaker cable to them and back out to the cab. It usually sounds different from a standard line out on your amp. I use a Countryman for this. I learned about it recently here because I run an old Ampeg V4 sometimes and there's no balanced line out on that bad boy. So speaker level DI was a way around the sound guy controversy (and I'm also a sound man, so I get it).

As to the whole madness of sound men not wanting to mic a bass cab, I'll throw in my two cents (again as a sound guy myself). It comes from years of trying to make an unfriendly tone sit in a mix. What I mean is, often "your tone" sounds great to your ears. But it may sound like total crap in a mix. And if all I have is a miced cab to work with, YOU have all the control, and I have none. You can crank the volume all of a sudden and I have to make up for it. You could suddenly (in the middle of a song) crank up the lows and blow my subs. But usually the problem is that "your tone" is great in your bedroom, but not so much trying to squeeze it in between drums and two drop-tuned guitars. But if everybody would try to work with me, I can make you sound like magic. But if every single member of a 6 piece band insists on forcing me to work with "their tone", then I have to do the best I can to squeeze everyone's tone (and ego) into the mix. Here's the solution. ASK the sound guy (during SOUND CHECK) if what you are throwing at him works.

And before any of you jump on the whole "If he knows what he is doing he can make it work" BS, I can't polish a turd. If everyone is sending me stuff in the same frequency range (drop tuned guitars and bass pedals that take your tone way up into guitar range) I can't unscramble that. Nobody can. It's not lack of ability. It's simple physics.
 
I know it was probably discussed on numerous occasions, but I'm new around here. Sorry.

Tried to search it, but it gives so many topics I don't know where to start:eyebrow:

did you have one specific topic in mind? I would appreciate the help.

:D

no sweat, I did not mean to be accusatory :)
a good tip if you are having trouble searching things in talk bass try searching in google with "talkbass" included in the search. sometimes it finds things better.

here is some mic info:

http://www.talkbass.com/forum/f203/best-mic-bass-cabs-858580/
http://www.talkbass.com/forum/f203/best-cheap-mic-bass-cab-851072/
http://www.talkbass.com/forum/f203/whats-good-mic-bass-cab-557337/
http://www.talkbass.com/forum/f203/best-mic-live-bass-464294/
 
Well, it's still speaker or DI, but have you tried speaker level DI? In other words, there are certain DI boxes that allow you to run your speaker cable to them and back out to the cab. It usually sounds different from a standard line out on your amp. I use a Countryman for this. I learned about it recently here because I run an old Ampeg V4 sometimes and there's no balanced line out on that bad boy. So speaker level DI was a way around the sound guy controversy (and I'm also a sound man, so I get it).

As to the whole madness of sound men not wanting to mic a bass cab, I'll throw in my two cents (again as a sound guy myself). It comes from years of trying to make an unfriendly tone sit in a mix. What I mean is, often "your tone" sounds great to your ears. But it may sound like total crap in a mix. And if all I have is a miced cab to work with, YOU have all the control, and I have none. You can crank the volume all of a sudden and I have to make up for it. You could suddenly (in the middle of a song) crank up the lows and blow my subs. But usually the problem is that "your tone" is great in your bedroom, but not so much trying to squeeze it in between drums and two drop-tuned guitars. But if everybody would try to work with me, I can make you sound like magic. But if every single member of a 6 piece band insists on forcing me to work with "their tone", then I have to do the best I can to squeeze everyone's tone (and ego) into the mix. Here's the solution. ASK the sound guy (during SOUND CHECK) if what you are throwing at him works.

And before any of you jump on the whole "If he knows what he is doing he can make it work" BS, I can't polish a turd. If everyone is sending me stuff in the same frequency range (drop tuned guitars and bass pedals that take your tone way up into guitar range) I can't unscramble that. Nobody can. It's not lack of ability. It's simple physics.

Just for my own needs.... what do you do with a bassist that runs two identical amps, one clean and one pedal heavy.... aby, volume, fuzz, chorus, flange, delay?
 
but have you tried speaker level DI? In other words, there are certain DI boxes that allow you to run your speaker cable to them and back out to the cab. It usually sounds different from a standard line out on your amp. I use a Countryman for this.


You still have to ensure that the DI has some sort of speaker sim, which I don't beleive the countryman has. Distortion will still sound quite harsh. The JDI can do this as well but it has the option of engaging the speaker sim and that helps roll off the uneccessary highs and lows that would not be present in a cab. Also the OP has a SS head. a speaker level DI does not add much in this scenario, generally a speaker level DI is used to capture the sound of a tube power amp. the OP would be better off adding a DI at the end of his pedal chain or micing his cab.
 
hm.

one more thing.

if you go with the mic, what's the story with volume on stage? because I like it loud:D

your best bet is to do what the sound guy asks volume wise. he can put you in your monitor and all that fun stuff bring the stage volume up that way. if you insist on going full bore on stage, than be sure to consult the sound guy and make sure he knows it's going to happen. I don't know what kind of venues you are playing but that 810 of yours should be able to work without pa support at most clubs unless you are in a vary large room or outdoors. so mabey that is your best option.
 
If there is trouble getting the sound guy to mic the cab, then getting him to run and mix two channels for bass is going to be impossible.

I meant a mic with your own preamp and then the preamp to the soundboard. I say for extra warmth, because a guitarist I know has a Marshall plexi 50, wants to mike both speakers and also uses a mic preamp. I laugh at him, but he does have the ear. He's gone through about 30 guitars and 10 amps and probably 20 custom wound pickups to get his sound.
 
your best bet is to do what the sound guy asks volume wise. he can put you in your monitor and all that fun stuff bring the stage volume up that way. if you insist on going full bore on stage, than be sure to consult the sound guy and make sure he knows it's going to happen.

what I meant - if you use the mic, can you play loud? does it affect the mic at all?

I don't know what kind of venues you are playing but that 810 of yours should be able to work without pa support at most clubs. so mabey that is your best option.

my thought exactly. that would be perfect:D
it's mostly small/mid size venues.
 
I run a speaker level Radial JDI DI with my Orange AD200. In my experience, a speaker sim DI is not necessary as long as you're not boosting the highs in some way. I also used to run a Countryman DI, but when the XLR connector broke off I borrowed a JDI and bought one for myself soon after because for the same price the sound of the Radial is superior, IMO. I've found that the AD200's tone lends itself well to being run this way into the house so the same may not be true for other heads with brighter tone so my recommendation would be to A/B a JDI with a JDX and see what tone is preferred.
 
You still have to ensure that the DI has some sort of speaker sim, which I don't beleive the countryman has. Distortion will still sound quite harsh. The JDI can do this as well but it has the option of engaging the speaker sim and that helps roll off the uneccessary highs and lows that would not be present in a cab. Also the OP has a SS head. a speaker level DI does not add much in this scenario, generally a speaker level DI is used to capture the sound of a tube power amp. the OP would be better off adding a DI at the end of his pedal chain or micing his cab.

I've used speaker level DIs with hybrids to good effect in the past - there's no reason for me to believe that it wouldn't work the same with an SS amp... I know from 1st hand experience that the Countryman and JDI both work very well for that situation...


- georgestrings