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Mini Rigs of Doom Four

Maybe I 'm wrong , but always thought the rig of doom moniker was kind of a reference to Jaco's bass of doom . He played a lot of different flavors , but none I would associate with Doom Metal.

Basically means , in my opinion, just a kickin ' rig with a small footprint and light weight. Like my Jeff Berlin combo with NY 151 extension cab, for example.
 
Maybe I 'm wrong , but always thought the rig of doom moniker was kind of a reference to Jaco's bass of doom . He played a lot of different flavors , but none I would associate with Doom Metal.

Basically means , in my opinion, just a kickin ' rig with a small footprint and light weight. Like my Jeff Berlin combo with NY 151 extension cab, for example.

That is kinda where I am at - i have never once associated the word DOOM with a genre.
 
Mini-Rig of Doom? It helps to define mini… to me it’s simply finding a way of sizing down your full show rig to a manageable ½ size rig that allows you to travel to remote shows easily without losing the comfort and tone that you demand from your full size rig.

My "mini rig of doom" makes for a 6 min. set-up – simply throw my cab mic up & blend with the Overtōn DI out and the tone is outstanding. (I use a little 2 chanel mixer onstage to blend the two signals so the sound guy can’t screw me…)

For me – this has finally fit the bill with the following gear. It’s also great that since I’ve picked up my Traynor 8x8” cab for use with my YBA200-2 rig that I now can keep this little monster loaded up in its own road case (with a slot for sliding the floorboard into) and just strap it down to a furniture dolly for load in/out.

Based around the FANTASTIC little Overtōn Flyweight 200 head, the only caveat I found was the lacking of that little bit of tube “growl” not present in solid-state gear. This was fixed with The ART Studio V3 tube pre-amp mounted to the floorboard. Another bonus of the unit: when wired into the effects-loop adds a bit of gain & theV3 has a great “Veri-tone” that gives a ton of great voicings at the turn of a knob without worrying about volume changes or screwing around with the EQ on the head.

While certainly not a “micro-rig”, this for me makes the best of both world’s. Big fat tone without breaking backs or hogging a ton of space on a small stage.

And did I mention… Makes my MTD’s SING!!!!!!!

Total Investment (got the Wizard Custom Cab used for a steal) = $1200.00. Sound and portability = Priceless.


Basses

• MTD - Kingston KZ
• MTD - Heir
• Tactile - Proto-J Fretless (Custom Shop)

Wireless
• Audio Technica - ATW R250

Amplifier
• Overtōn - Flyweight 200 Head

Cabinet
• Wizard Custom Shop – 4x10 Custom Shop
• Wizard Custom Shop – In House Wound Drivers

Rack Gear
• Behringer - Rack Tuner & Light Unit
• Juice Goose - Power Conditioner

Floorboard (In order)
• BBE -Mindbender Chorus
• TC Electronics - Vortex Flanger
• Electro Harmonics - Dr. Q Envelope Filter
• Joyo - Ultimate Drive (OCD Clone)
• TC Electronics - Mojo-Mojo Overdrive
• BBE - Benchpress Compressor (Vintage Ross Clone)
• ART - Studio V3 Tube Pre-Amp
• Ernie Ball - VP Jr. Volume Pedal

To House Sound

• MXL A55 - Cabinet Mic
• Overton - Direct Box
 

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Ashdown rig is finally put together;

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Pretty nice sounding unit. The Mibass 220 and two VS112 cabs. The only problem I have with it is the top handles on the cabs are too tall. That's why the head is sitting on its case. The handles also prevent the cabinets from being stacked normally. Right now I have a couple of shims under the feet of the top cabinet, but I'm going to put taller feet on one of the cabs sooner or later. Not super loud but I don't need it to be. :cool: