I can answer this with an example that applies to the service that I offer (this may not apply to other manufacturers of course), I will repair any Genz Benz Shuttle or Streamliner for $75, which includes all labor and parts except the class D module, high voltage power supply module and tubes. I handle most of the factory level service for US and Canada, and frankly I've only replaced a few class D modules all of this year. The problem with repairing them (and I have repaired some) is that they are very complicated and just don't fail often enough to justify tooling up a fixture to repair them. In most cases it's just as cheap to replace the part.
So, I put my money where my mouth is in stating that yes, the amps are worth repairing and back it up by doing just that.
The reliability (at least of the products that I have direct knowledge of) have gotten so good that the "other company" I design for now offers a 5 year transferrable warranty. Hardly disposable gear?
You represent a "premium" brand, and work in the US. Please widen your scope a bit, to include other brands and the rest of the globe. I have a bit of insight in the music gear service business in Sweden, which probably is a typical example of a western, non-US country. Quality and supply of qualified MI electronics repair is dwindling. Why?
Well, first of all, margins and prices on new gear is dropping, leaving less budget to hire and supply a service organisation. Finding good staff is hard, as many people that are interested in advanced technology prefer other business (like computers and industrial electronics) and those that are interested in MI gear often lack the competence, motivation and interest to work with PWM/SMPS, SMT, digital setups, new soldering methods etc.
Model series tend to have a short life and the selection is as wide or wider than ever.
We agree that one often needs more hardware to work on the new stuff; service manuals that were "nice to have" when working on traditional gear might be an absolute must now, along with break-out-boxes, wire looms for trouble shooting, bench mounted "vices", magnifying lenses and lights, more advanced scopes (to trouble shoot HF signals in SPMS) etc.
There is also a higher demand in general, on the technincians, as they BOTH need to know how to repair old, "immortal" tube amps, conventional amps from the 80s and up, as well as new micros.
Add to this, what seems to be a general decline in the interest in "playing in a band", plus a rich supply of used non-micro, quality gear; EBS, SWR, Trace Elliot, Fender, Marshall, Yamaha, GK etc.
On top of it, shipping is fairly expensive.
Sooo...
Slightly exaggerated; there is a picky but shrinking crowd of potential buyers, a lot of good, used gear, shrinking margins and sales volumes on new stuff, which has shorter product life cycles and requires additional training, documentation and hardware to be serviced. Recruiting service technicians is harder than before, as fewer people want to work with this and requirements are tougher.
As a whole, this leads to less and less interest (from both customers and industry!) in repairing new gear once warranty has expired. It is not my "opinion", it is a fact, at least in this country.
Somewhat ironically, the convenience and novelity of the modern mini bass amps guarantees that some of them still get repaired at an eventual failure. But a four year old, six channel mixer? A "prosumer" sound card? A generic 2x300W PA amp for the rehearsal room? They are not getting repaired, just replaced.