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Music Man Sterling Classic Love Thread

After hitting up the EB forums, I found this clarification from one of the mods:

"The "Classic Collection" Sterling Bass (made from 2010 to 2015) has a Ceramic pickup wired in series (not parallel). It has the same 2 Band preamp as both the "Classic Collection" Sting Ray 4 and Sting Ray 5 which both have Alnico pickups BUT wired in parallel (and not series). The 2 Bander is the same preamp used on the Sting Ray since Pre-EB 1978. The bodies are slab.
 
Welp, much as I love the Birdseye maple on this bass, I'm about 99% sure I'm going to move this one along. I found an EBMM Caprice that I prefer the sound and feel/ergonomics of, so I'll be posting a classifieds ad for the Coral Red Sterling Classic shortly.
 
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I had been looking for one of these for years before I found mine: In Europe, they are an even rarer find than in the States.

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To me, these really are a perfect blend of vintage and modern - a reissue of a vintage bass that never was.

One piece body, beautiful birdseye neck, excellent hardware, and a great voice with tons of character.

What an abolute keeper of a bass.
 
For those Classic owners, I'm curious as to what you feel is superior to the regular EBMM Sterling? In short, if I have a few early Sterlings and one of the things that I really like about them is the satin finish on the neck, why would I need a Classic, especially if the gloss neck is something that I would see as a potential downside? Interested to hear your thoughts...especially if you own both models or have owned them in the past.
 
For those Classic owners, I'm curious as to what you feel is superior to the regular EBMM Sterling? In short, if I have a few early Sterlings and one of the things that I really like about them is the satin finish on the neck, why would I need a Classic, especially if the gloss neck is something that I would see as a potential downside? Interested to hear your thoughts...especially if you own both models or have owned them in the past.
Late reply: I do like a nice satin finish as much as the next person, and EB‘s oil and wax is up there with the best of them. I was surprised, however, how much I enjoy the classic gloss necks.

What really swayed me towards the Classic Sterling was - aside from the vintage frets, larger radius board and, of course, that birdseye - the compact but slab body: To me, the slab gives such a vibe and makes me approach the whole instrument differently than my other basses - and I love getting that vibe in a smaller body and with considerably less weight than the Classic Stingrays.

Also, and I’m aware that is an entirely personal take: The right number of knobs on a bass is three, actually, please and thank you - so there‘s that 😉

Btw, nbd about a month ago:
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(Stay tuned for me swapping the necks with my natural Sterling above!)
 
So much nicer after the swap.
Thanks for the kind words! I had a strong suspicion this might work well but I do love it when a plan comes together in actuality.

1 Natty / maple / black pg and 1 color / rosewood / tort. I can relate and like your style! (See avatar). The only thing better than 1 Sterling Classic is 2 Sterling Classics. We are spoiled!
"Spoiled" seems to be the appropriate term, indeed … I consider myself very lucky.

I‘ve admired both of your Sterlings before, lovely basses! The light (sonic?) blue would have been my favorite could I have chosen from the whole palette.
When buying the Coral Red (online, from Denmark), I was originally planning on selling it after the swap. I’m still surprised that I absolutely adore that color now that it’s in my hands. Love it when I take a gamble and a bass surprises me, in one way or another!

Funny we even share matching white pickups on the solid colors!