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My New Studio Build (perhaps overly detailed)

I've done many of these rides. This was the first time I've ever had a problem. This was about 3,000 riders. I've done one with 13,000 riders before and didn't have a single incident. All that said, this was likely my last group ride on this scale. Sub-10 cyclists type rides from here on out.


Aerobars belong on TT bikes and nothing else. NOTHING! :p

One exception I was happy to make was back in 2013 when I rode STP (Seattle to Portland cycling event) there was a guy doing it on a unicycle that had this stand coming off the seat post that came up at an angle to a pair of aerobars. For that I can make an exception. 203 miles is a long way to go on a bike, let alone a unicycle and the dude clearly needed a place to put his arms.


My helmet is beyond the life of its manufacturer's crash replacement program as I've had it for five or six years without so much as a bump. Yesterday's crash was fortunate in that I kept my head up the entire time and the helmet never touched the ground. It lives to fight another day!
I used to do the Montauk century and it was always very scary from a Fred-factor perspective. I did the Paris-Roubaix Sportive in 2006, and doing it again in June, and it was really safe, but likely because no one in their right mind would do that without understanding what it entailed. 2400 starters, only 6 women (which underscores women being way more intelligent then men).

I'm cool with aerobars in Singlespeed World Champs perhaps, but otherwise agree with you. Incidentally, the last time I was in Seattle was SSCXWC in 2010. The alley cat qualifier was awesome.

I've done helmet replacement with Giro and Bell and both were very cool and gave me credits. I think both were 3yr old helmets. Give them a call, worst thing they do is say no. As I wrote in the other post, it's your skull, treat it well!
 
That's why I don't do large group events like that.

Same. On road bike, mountain bike and especially motorcycle. I always get asked to go on those "Ride for X" motorcycle fundraisers. No way. I'm not riding behind you or beside you or with any hundreds or thousands of strangers in a somewhat tight formation if I don't know you. Too many morons out there. And likewise, I don't want to be the one responsible for someone else's get off.

For almost all of my two wheeled travels, I'm on my own. I do like to mountain bike with maybe a couple of others. I've crashed often enough to know that sometimes you need help to get off the trail and back to the car! I used to be a competitive cyclist (road and mountain) and I was OK being tight on the race course with other experienced racers. But not on the open road with the average Fred.
 
My wounds are healed and I’m back to work. Quite honestly I feel great. Went rock climbing this morning, came home, did some work around the house and then hit the studio work.

Today I cleaned out the construction area (i.e. the main room) and finished mudding the middle leaf on the lid. It wasn’t a huge amount of work, but it’s all I’m going to get done today. Tomorrow once the mud has dried my wife is going to help me snap lines so I can place all of the Whisper Clips and hat channel on the lid. That will allow me to march forward with construction of the inner leaf on the lid. I’ve installed some damping compound, and a lot of mass, but this will be my first foray into decoupling which is sort of the top dog when it comes to the tenets of sound isolation. Very exciting. I should be able to set all of the Whisper Clips and hat channel tomorrow. If I can get any of the inner leaf’s drywall up I’ll be more than satisfied with my effort for the week.

I’m no longer sick, no longer injured, no longer prepping for a sub EDM and funk gig, no longer prepping for an audition for a high profile corporate band (I passed the audition and got the spot by the way :D ), and as a result I can get back to working on the studio in the evenings after work. I’m hoping for big gains in the near future.
 
My wounds are healed and I’m back to work. Quite honestly I feel great. Went rock climbing this morning, came home, did some work around the house and then hit the studio work...

...I’m no longer sick, no longer injured, no longer prepping for a sub EDM and funk gig, no longer prepping for an audition for a high profile corporate band (I passed the audition and got the spot by the way :D ), and as a result I can get back to working on the studio in the evenings after work. I’m hoping for big gains in the near future.
Life happens. Glad you're feeling better. Congrats on the new gig! What rig and bass will you be using? I always look forward to your build journal and pics!
 
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Life happens. Glad you're feeling better. Congrats on the new gig! What rig and bass will you be using? I always look forward to your build journal and pics!
This gig will require a wide range of tones (lots of old funk, soul and RnB, as well as modern pop) so I’ll be bringing my Jazz bass to most gigs as it’s more versatile than my Thunderbird or my G4. I’m also planning on building something akin to a Sadowsky Modern since my Jazz weighs too much to play all night on a 4-hour gig. Rig will be my Reiner Studio 1200 and either my Bergantino HD210, or (hopefully) a pair of Reiner 112s when Jonathan can get them built. That and a host of pedals.
 
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This gig will require a wide range of tones (lots of old funk, soul and RnB, as well as modern pop) so I’ll be bringing my Jazz bass to most gigs as it’s more versatile than my Thunderbird or my G4. I’m also planning on building something akin to a Sadowsky Modern since my Jazz weighs too much to play all night on a 4-hour gig. Rig will be my Reiner Studio 1200 and either my Bergantino HD210, or (hopefully) a pair of Reiner 112s when Jonathan can get them built. That and a host of pedals.
HPF/LPF?

@JimmyM was posting about how he uses an HPF/LPF (beyond the HPF's speaker protection) to limit the overall frequency range of his cabs to keep it sounding old school despite how the PA is being eq'd. A concept that only he has posted about as far as I am aware of.

Good luck with the gig and finishing up your studio!
 
Let the decoupling begin!

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Does it get hot working in the sealed room with the lights?
If using LEDs, no. They run cool, which is why I've totally converted to LED in my studio. Based on experience of hours of dripping sweat under hot lights while tracking video. No thanks!

Let's clarify: Working in the space using the work lights shown in the picture does get noticeably warm as they put out a ton of heat. It's been peaking at not quite 70 here in Seattle this week, and in the evening when I'm working it's usually around 60, so definitely not hot but certainly warm. When the studio is done the lighting will all be LED, which won't put out much heat.
 
Let's clarify: Working in the space using the work lights shown in the picture does get noticeably warm as they put out a ton of heat. It's been peaking at not quite 70 here in Seattle this week, and in the evening when I'm working it's usually around 60, so definitely not hot but certainly warm. When the studio is done the lighting will all be LED, which won't put out much heat.
Dimmable LEDs may help.
 
"Brightness" of a light isn't the only factor for migranes. People were probably conditioned to a lower color temperature inside the building than pure daylight 5600K. A warmer temperature seems less bright to the eyes.

@silky smoove are you planning to install LED lighting for video production inside your studio? This is a good time to play layouts, a potential green screen, etc. LEDs all the way for that proposition!
 

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