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I noticed that too. I'm pretty sure it doesn't affect playability or tone much... maybe not at all... at least humanly perceivably, but I wonder if a slight headstock redesign to keep the string paths more straight might be best in the long run.That B string doesn't look too appy.
Still loving the look of those Model B's, but the 1 1/2" with at the nut for a 4 banger is a deal breaker for me.
Wish it was available with a Precision size neck.
That B string doesn't look too happy.
FWIW, those are not Pete's normal strings. He was out of them. They use a custom taper, so that you are not cranking full wraps around that post. Once I switch out to a properly tapered B-string, I don't think the angle will be nearly as great.
Tom.
How come no first fret block?
Yeah, except I can see where folks would expect to see one at that position because they were blocks... e.g. the Fender Jazz bass and most, if not all, other block inlay basses I can recall seeing... Sadowsky, Nordy, Warrior, Celinder, Warmoth, etc.That's a decision that Pete made with regard to his blocks. He likes to put blocks where you would normally find position markers, and therefore opted against putting one at the 1/2 position mark.
Tom.
Yeah, I'm absolutely sure that wouldn't be any problem for him... at all...I think he also said that it you really wanted a first fret block you could be accommodated.
Yeah, except I can see where folks would expect to see one at that position because they were blocks... e.g. the Fender Jazz bass and most, if not all, other block inlay basses I can recall seeing... Sadowsky, Nordy, Warrior, Celinder, Warmoth, etc.
FWIW, those are not Pete's normal strings. He was out of them. They use a custom taper, so that you are not cranking full wraps around that post. Once I switch out to a properly tapered B-string, I don't think the angle will be nearly as great.
Tom.
Those look like D'addario strings. Color coded ball ends and no silk wrap...
It wouldn't hurt to ask. The 1.5 " is standard, but Pete might be willing/able to work with you.
Block inlays started with Gibson and the Les Paul - which have no first position block either. Not that Pete went with what was first, but there is certainly precedence to do it the way he chose to do it![]()
That's MHO as well (tho I will definitely stop WAY short of saying the LPs with blocks don't look good, because they look KILLER... I just would have personally chosen to add that first block, is all). I wonder if that's why Fender chose to put that first block in since it was a bass in their case?On guitar, the gap between nut and 3rd fret isn't quite as far as on a bass. On a bass it is just visually strange to me to see a gap that large.