That's just a "fat 5". I'm talking linear 9. Oh crap, I hope he doesn't see this post... I can't take another clown slap...That's odd. He's actually working on a 10-string for me.![]()
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That's just a "fat 5". I'm talking linear 9. Oh crap, I hope he doesn't see this post... I can't take another clown slap...That's odd. He's actually working on a 10-string for me.![]()
That's just a "fat 5". I'm talking linear 9. Oh crap, I hope he doesn't see this post... I can't take another clown slap...![]()
Why no first fret blocklike Les Pauls and SGs that do that, it looks incomplete.
(otherwise they are looking KILLER!!!)
Neither does this one...
http://i87.photobucket.com/albums/k150/brad5161/MarleauxJfull.jpg

He'd do a 1st Fret Marker if you asked I'm sure![]()
but will he do 34" scale, 19mm bridge spacing AND 7 string????
WOW. That is definitely a very busy combination of colors and lines. Looks great though!
Tom, how does Pete's Lion's Pride line work? Is the Lion's Pride basically just another body shape (i.e., it comes in the same model specs as his normal models like Pro, Custom, Exotic Custom, etc), or does it have its own feature set?
Model B:
![]()
The pickup locations on the Model A are different from Pete's typical layout (and are in approximately the same location as a 70's J-bass), though the pickup in the Model B is pretty much where the C4 would go on one of Pete's other basses.
Tom.
Flamed spalted redwood, and yeah, it's incredible.Link Removed
<< speechless >>
I missed it. What kind of wood is the top?
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too much information ....
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