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My take on the Bergantino B|Amp

Dragonlord

Rocks Around The Glocks
Aug 30, 2000
2,573
464
46
Greece, Europe
OK, I've had my B|Amp for three days now, I know it is early but I feel confident to share some thoughts. Some of you may have seen my previous posts, in short, I've had a Glockenklang Heart Rock which I love for the last ten years, I recently started a band again after a long break and I was looking for something lighter. I didn't believe I would find something that great, I was kinda looking for a good compromise between weight and tone. I tried the new Glockenklang Steamhammer, it had some nice aspects (very responsive for example), in the beginning I thought it was a good enough replacement, but at the end of the day I felt the tone was a little harsher than what I was used to. So it went back and I was reluctant to try another class D amp. I briefly tested a Mesa D800 which had a sweet tone but I knew it wasn't for me, I like a hifi, transparent tone. But based on the advice of the good fellows here on TB (esp. Tom Bowlus who has consistently given me impressively spot-on advice on gear) I thought I'd also give the B|Amp a shot. I loved the logic behind it, I was very curious but tried not to keep my hopes up because I thought it would be similar to the Steamhammer, having the same power amp and all. Boy was I wrong.

The B|Amp is actually cleaner than the Heart Rock. It is a little brighter flat and is comparably full (in my Glock comparison, the Steamhammer seemed more focused and the Blue Soul more open - the HR and B|Amp are just right for my taste). The HR might seem a little "warmer", but that's not because the B|Amp is sterile, it's because it's cleaner. But you can also give it a little grit with the overdrive effect if you need that kind of tone. I was afraid that the effects would sound fake because they're digital, but they're surprisingly nice - OK, I still prefer my Fulltone Bassdrive's overdrive, after all it has more knobs to tweak, but the B|Amp's overdrive really is good enough for some grit, very usable and the convenience it offers is undeniable. The distortions are also at a very good level with the latest firmware, and will probably get even better as the amp gets updated.

Now I've seen a few members here saying they're intimidated by the LCD screen and all the options, worrying that they will find it difficult to operate the amp. Let me assure you this is not an issue. It's like saying you're intimidated by all the roads outside your house, because you don't know where to go with all these options. Well, you can perfectly stay right where you are and not worry about it! The amp is usable from the moment you turn it on - set your gain so the overload LED doesn't blink, turn up the volume and go. You already have 4 well chosen eq points to shape your sound, just like with any other amp. But all the options available make this amp really special (as if its basic tone wasn't enough - which it is). And it's not hard to understand how it works, just spend a few minutes with the manual and you'll find your way around the menus, they are as simple as they could be and IMO it's worth the small effort. You're perfectly fine without it, but once you get familiar with all the possibilities you'll wonder how you can go back to the other... dare I say primitive amps, 'cause that's how I feel about other amps right now. For example, press mute, pluck a string and you have a tuner on screen! Easy.

Now, for the heated class A/B vs class D debate, since the HR is one of the heavyweight A/B beasts... Well they do feel different, but not necessarily in a bad way. I could use this analogy, it's like a hydraulic vs electric steering wheel in a car. The HR still feels more "natural" to me, after all it's what I'm used to, but I can't say the B|Amp (or Steamhammer) felt "bad". They feel quicker and maybe with a "flatter" response/decay. I'm sure I'll get used to it - actually it might even seem more "correct" theoretically, if that makes sense. But it's too soon for me to get into that, these are early and probably immature thoughts.

All in all, I am thrilled. This is a jawdropping piece of equipment, a perfect blank canvas which becomes a swiss knife of amps when you consider all the options. I like it as much as my Heart Rock, which I didn't consider to be possible, and even more in some aspects. It has little more self-noise, but not to an annoying level. The HR is still an amazing amp, but the B|Amp is like the ascendance to a new level in bass amplification - light, packed with convenient features while still user-friendly and without sacrificing tone. I know I sound like a commercial, but I really think it's that ridiculously good, and if you're into clean, hifi, transparent tone, you need one!
 
I'll keep adding comments here as I get to know the B|Amp better. Well as amazed as I am by how clean the sound is (but not "soft"), I started missing a little grit... well the overdrive effect works like a charm for that. I seriously think that if there was a head that had that effect permanently on, it would get rave reviews from say the Aguilar crowd. It's like having both a top quality clean-hifi amp AND a top quality gritty amp. I really can't see myself needing anything else amp-wise... unless I decide to go all-tube, which I doubt. Got all bases covered - in a superb way.
 
I'll keep adding comments here as I get to know the B|Amp better. Well as amazed as I am by how clean the sound is (but not "soft"), I started missing a little grit... well the overdrive effect works like a charm for that. I seriously think that if there was a head that had that effect permanently on, it would get rave reviews from say the Aguilar crowd. It's like having both a top quality clean-hifi amp AND a top quality gritty amp. I really can't see myself needing anything else amp-wise... unless I decide to go all-tube, which I doubt. Got all bases covered - in a superb way.


Interesting. I currently have the B/Amp and the Steamhammer here and after playing both for many hours i found the B|Amp almost a little bit to smooth, altough it really is a wonderful sounding amp . The Steamhammers clean sound has a little bit more grit and also the dynamic response feels more natural to me.
 
Interesting. I currently have the B/Amp and the Steamhammer here and after playing both for many hours i found the B|Amp almost a little bit to smooth, altough it really is a wonderful sounding amp . The Steamhammers clean sound has a little bit more grit and also the dynamic response feels more natural to me.
Yeah, the Steamhammer definitely has more grit when you compare the clean sounds. Did you try the overdrive in the B|Amp, which I'm referring to? You get to the relevant menu by pressing "Prog" twice.
 
Yeah, the Steamhammer definitely has more grit when you compare the clean sounds. Did you try the overdrive in the B|Amp, which I'm referring to? You get to the relevant menu by pressing "Prog" twice.


Yes i checked the overdrive in the B|Amp. Of course you can add a little bit distortion with the effect, but it does sound an feel very different than the natural grit of a clean sound, at least in my opinion. I also prefer the overdrive in the steamhammer - very organic sounds and great flexibity with the voice EQ.
 
Yes i checked the overdrive in the B|Amp. Of course you can add a little bit distortion with the effect, but it does sound an feel very different than the natural grit of a clean sound, at least in my opinion. I also prefer the overdrive in the steamhammer - very organic sounds and great flexibity with the voice EQ.
Yeah, I really liked the Steamhammer's features (it also felt very quick/responsive), but the basic tone sounded a bit harsh to me. Still, we all hear some things differently so I can definitely see the Steamhammer being perfect for others.
 
Yes i checked the overdrive in the B|Amp. Of course you can add a little bit distortion with the effect, but it does sound an feel very different than the natural grit of a clean sound, at least in my opinion. I also prefer the overdrive in the steamhammer - very organic sounds and great flexibity with the voice EQ.
The "natural grit of a clean sound" is another name for baked-in tone. It just means that the designer built it in to the preamp. I don't want that unless I want it. With the B|Amp I don't have to live with it, but I can add it when desired.

As I've told Jim on several occasions, the distortion effects won't see much use in my B|Amp. I bought it before the effects even existed for its native, uncolored tone. I usually run it with four zeros across the screen, occasionally with a little compression.
 
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I never end the gig with a blank canvass (0-0-0-0 on the EQ) but it's dependent entirely on the room acoustics and which bass i'm using and what kind of tone the music itself requires. I love having the option to switch between tonal palettes via the memory locations because as I age memory becomes more important.
 
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I never end the gig with a blank canvass (0-0-0-0 on the EQ) but it's dependent entirely on the room acoustics and which bass i'm using and what kind of tone the music itself requires. I love having the option to switch between tonal palettes via the memory locations because as I age memory becomes more important.
I have found that I mostly do end up with 0000, but like you say, it does depend on the room. And the cabs.
 
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