I've been rocking a darkglass M900 the last year and a half or so, and I love everything about that amp. It sounds incredible both clean and dirty. More than enough power for any situation I've ever been in. But I have the same curse as the rest of us, always longing for more gear...
I purchased a Genzler mg212 about 6 months ago or so to replace my mesa powerhouse 212, and WOW what a difference in tone. The mesa sounded harsh and thing to my ears. The Genzler 212 checked every thing on my list for what I wanted in a cab. Big, fat, warm tone. But easy to haul around. A few months later I bought a 112 for home and small practice use. It's just as impressive as the 212!
So here I am, deciding to take my darkglass head into a local store that carries Genzler amps. I put the two heads side by side through a Genzler 210-3 array cab .everything set flat, there's minimal difference in clean tone .the Genzler was maybe a hair warmer sounding. Then I started playing with the countour control on the Genzler. WOW. That control changes everything about the warm. The blue "modern" channel, cranked all the way, gave me the fattest scooped modern tome I've ever heard. You could feel it in your guts. I then flipped it to the orange channel, and a nice vintage chest thumping tone was present. Turning on the gain about halfway on the dirt channel, I had a great classic rock SVT type tone going on. And the price tag, only $780!? This thing sounded great.
For my band situation, the fatter warmer sound of the Genzler was just what I needed. I love the Darkglass sound, but it was just a bit too hi-fi sounding for what I need. With that being said, I still think the Darkglass overdrive/distortion is the best sound out there, so I will be getting a pedal for when I need that tone.
It was sold. If anyone wants a nice darkglass m900, check my signature below

I purchased a Genzler mg212 about 6 months ago or so to replace my mesa powerhouse 212, and WOW what a difference in tone. The mesa sounded harsh and thing to my ears. The Genzler 212 checked every thing on my list for what I wanted in a cab. Big, fat, warm tone. But easy to haul around. A few months later I bought a 112 for home and small practice use. It's just as impressive as the 212!
So here I am, deciding to take my darkglass head into a local store that carries Genzler amps. I put the two heads side by side through a Genzler 210-3 array cab .everything set flat, there's minimal difference in clean tone .the Genzler was maybe a hair warmer sounding. Then I started playing with the countour control on the Genzler. WOW. That control changes everything about the warm. The blue "modern" channel, cranked all the way, gave me the fattest scooped modern tome I've ever heard. You could feel it in your guts. I then flipped it to the orange channel, and a nice vintage chest thumping tone was present. Turning on the gain about halfway on the dirt channel, I had a great classic rock SVT type tone going on. And the price tag, only $780!? This thing sounded great.
For my band situation, the fatter warmer sound of the Genzler was just what I needed. I love the Darkglass sound, but it was just a bit too hi-fi sounding for what I need. With that being said, I still think the Darkglass overdrive/distortion is the best sound out there, so I will be getting a pedal for when I need that tone.
It was sold. If anyone wants a nice darkglass m900, check my signature below
