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NBD Sadowsky metro MS4

I am not much of a "New Bass Day" guy, having done one previously.

But, I am extremely enthusiastic about this new (used) bass, so I thought I'd share it, in case anyone is thinking about taking the plunge. It's a Sadowsky Metro MS4. Buying a Metro, and used, made this very affordable for the tone it delivers.

First THANK YOU to Melamel here on TB for selling it to me, and thank you to everyone else for letting this bass go unpurchased for 2 months, which really surprised me. This gave me time to sell two pieces of gear to fund this purchase. I picked it up in person since David is not far from me. Got to play it before finalizing the purchase.

So, this is the first Sadowsky I've played. It's fantastic! Very clear throughout its range, and very even across the board. Love the preamp, it changes the tone in new and interesting ways rotating through the T/B positions. The PU balance knob dials in the reverse direction of what is typical, but an easy adjustment. It's very articulate and I do not have to struggle or strain to get clarity, presence and punch with every note.

Sadowsky owners probably find my enthusiasm cute for something that is old hat to them, no doubt. I have 14 other basses, but only my Smith rivals the quality of this bass. If not for the occasional need for a 5, or a P, or fretless, etc, I could get by with these 2 basses alone for the rest of my life, I think. I've been playing 35 years, only twice before have I been so excited about a new bass- a brand new G&L L-2000 in 1985 which was my first high quality bass and which I played the cr*p out of for years; and the Ken Smith, in 1992, were the other 2.

Enough talk, here it is: (I see from photo #2 that it needs a wipe-down, it looks much cleaner than it appears in that photo)

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Nice bass!
I've tried lots of basses as well and, at the end, a Sadowsky Metro came on top of everything else.
I got to say that each of the 5 Sadowskys I've tried in the process had its own thing going on tonally, its own "flavour" so to speak, but the build quality was remarkably constant, always top notch. That's not something you can say for many other builders.
On a sunburst like that, personally I prefer a rosewood fingerboard aesthetically, but I've always found the old logo placement at the headstock (like yours) more appealing.
Anyway, here's my Metro RS 4, they are almost bass twins...

WP_20170214_16_27_06_Pro2_zpseudkdusv.jpg
 
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Nice bass!
I've tried lots of basses as well and, at the end, a Sadowsky Metro came on top of everything else.
I got to say that each of the 5 Sadowskys I've tried in the process had its own thing going on tonally, its own "flavour" so to speak, but the build quality was remarkably constant, always top notch. That's not something you can say for many other builders.
On a sunburst like that, personally I prefer a rosewood fingerboard aesthetically, but I've always found the old logo placement at the headstock (like yours) more appealing.
Anyway, here's my Metro RS 4, they are almost bass twins...

WP_20170214_16_27_06_Pro2_zpseudkdusv.jpg

That's a sweet bass as well! What year is it? More recent than 2011, I am guessing from the logo placement? The older ones like mine (2011) also don't say "Metro" on them, which might cause it to be mistaken for a NYC. Which could be good or bad, depending on if an admiring gear head or a semi-knowledgeable bass thief is looking at it. I could be wrong, but I can't imagine that the NYC is so much better as to justify the cost difference. I feel like I get 98% of the NYC quality at a much lower price, especially used.

I have never played a Sadowsky with the rosewood, so perhaps my usual preference for maple boards might be less pronounced, were the rosewood to be on a Sadowsky. I agree the sunburst goes well with rosewood, aesthetically. I don't find the maple unattractive in any way with the 'burst, in fact I rather like it, but the rosewood does look a bit more "traditional" which I can appreciate. I like the look of the standard, without a pick guard or control plate. Maybe if I played with a pick, which I seldom do, it might be different.
 
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There's something about that combo I like 59 burst color. Maple .I know how you feel these are mine, they are the two best ive v ever owned

Love it! The MS4 with the '59 'burst strikes me as very classy -- modern (no plate/guard, maple board,) and yet traditional and understated (old sunburst, general jazz bass styling). I was just sitting in my den playing it before coming to the keyboard. Goin' back now. I get to gig it again Friday night (3rd gig w/ it), at a trio restaurant gig at a kind of hip pan-African restaurant. Small gear, big fun.

A long-term goal for me at this point would be to get the same bass in a 5-string version, and have a set :). I like the aesthetics that much-- and I have never had 2 of the same bass before, generally matchy-matchy is not my thing. As it happens, a fiver just like it sold shortly before I searched out and bought this one. It'll probably be a while before another one pops up somewhere, but I am going to keep my eye out. Hopefully it doesn't come along TOO soon, I can't write that check just now!
 
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Love it! The MS4 with the '59 'burst strikes me as very classy -- modern (no plate/guard, maple board,) and yet traditional and understated (old sunburst, general jazz bass styling). I was just sitting in my den playing it before coming to the keyboard. Goin' back now. I get to gig it again Friday night (3rd gig w/ it), at a trio restaurant gig at a kind of hip pan-African restaurant. Small gear, big fun.

A long-term goal for me at this point would be to get the same bass in a 5-string version, and have a set :). I like the aesthetics that much-- and I have never had 2 of the same bass before, generally matchy-matchy is not my thing.

Go for it! That would be a really dynamic duo of basses.
 
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Enough talk

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