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I also do that, my SA Atlas is at the end of the pedalboard just before the DI. I've got tons 2 octavers, 2 gated fuzzes, LPF/enveloppe filters, I've got a Spectracomp still at the beginning of my synth loop (octavers --> fuzzes --> bitccrushers--> LPFs) but with a really soft toneprint setup, it's just to help my FT Elletronica Tetractave cut thru the mix so I only use it paired with the Tetractave. I've got a booster to start everything, I've been doing the comp before everything stuff for ages, then I tried something else influenced by Janek Gwizdala youtube videos, and indeed just a booster to start is enough. The comp at the end cleans everything, that's for sure.Both signal chains make sense for different purposes. But on my board with the MXR synth, I prefer using the compressor after the synth unit to tame potential peaks. So that is what my vote is for. But, again, both orders are good actually...
My pedal orders have tended to settle on something resembling B. I don't struggle to get consistent response from octaver and synth pedals, but I do sometimes struggle with them introducing peaks that require taming.Putting together a small pedal board and would love to hear from others with similar set ups. A or B?
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Agreed. This is the same experience I've had and for now Ive settled on B (Compressor at the end just before the Preamp).My pedal orders have tended to settle on something resembling B. I don't struggle to get consistent response from octaver and synth pedals, but I do sometimes struggle with them introducing peaks that require taming.
Right, generally speaking I'd use the Octaver and the Bass Synth independently. But interestingly enough, I've been using the octaver (with very tame settings) as a perceived boost to the Bass Synth in the chorus of a song and it works nicely. I then just have to remember to return the octaver to previous settings for a separate song.I am assuming that you won't run the Seamoon and the MXR at the same time and their order is therefore irrelevant.