40Hz said:@blue - Just had a weird thought...how many times and how many hours did you play with that cover band before they said no thanks?
A few phone calls and 1.5 hour audition.
They called me the following week with the offer.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
40Hz said:@blue - Just had a weird thought...how many times and how many hours did you play with that cover band before they said no thanks?
crijan said:I've had this same thing happen to me (except I wasn't planning on quitting) two or three times in my career. It's the old "I know we just hired you, but our old bass player just showed up and he already knows our show" routine. If you keep a positive attitude with the groups that do it, you're only going to benefit in the long run.
AfroCubanFunkMa said:Like it or not Blue, that songs ROCKS.. First it's the Commodores, now you're doggin' Santana? Seems like we hear alot about what you don't like around here. Blue, word of advice.. Attitude is one of the first things people judge on a new/potential band-mate.. Those with a chip on their shoulder and/or with negative outlook usually get shown the door..
Like it or not Blue, that songs ROCKS.. First it's the Commodores, now you're doggin' Santana?
A few phone calls and 1.5 hour audition.
They called me the following week with the offer.
bluewine said:I new the 3 covers cold, including Brick House.
3 songs for a Coverband audition in 1.5 hours + two 3 hour rehearsals.. Something smells kinda fishy here Blue![]()
i would think any reputable cover band would go through a hundred songs in that time-frame..
40Hz said:That's all? Hmm...maybe I'm wrong with my weird thought then.
If it was significantly longer than that, I might have suspected you were only being used as a fire-starter.
A fire-starter is brought in when a group is trying to light a fire under the ass of someone they really want by "dating" another musician. I've seen that done a few times where a group is trying to get a former member, or an otherwise "known quantity," to sign on - and that person is hemming and hawing about it.
I'm a little suspicious (being somewhat experienced) of the story they gave of how they got all the way to auditioning you before they bumped into somebody they already knew - who just so happened to have their entire play list down cold - and wanted
(Besides. You were going to call them and back out anyway, right?)

3 songs for a Coverband audition in 1.5 hours + two 3 hour rehearsals.. Something smells kinda fishy here Blue![]()
i would think any reputable cover band would go through a hundred songs in that time-frame..
40Hz said:Gotta agree w/AfroCubanFunkMa.
That's enough time for them to run you from Aretha to Zappa by way of Led Zeppelin and still have time to visit Stevie and Stevie along the way.
How could you possibly make a cover band hiring decision based on only three songs unless you were a tribute band?
I new the 3 covers cold, including Brick House
They loved my playing and my improv skills
They said they wanted me not only for my playing, it was my attitude that sold them.
I hope you don't think I talk to people I am auditioning for the way I talk to you guys.
First of all we jammed for about an hour after the 3 songs, their idea, not mine. Plus their was a Q&A session.
Are you in high school?
And who are you to come in here and question the validity of my thread. For all I know you could be a *bedroom player.
* A Guy that sits in his bedroom and plays and can't cut it in band.
How would we know any different? Any thread that we read here is about you being angry about being 58, or angry that your original band isn't working, or angry that you have to join a cover band, or angry that you were let go from a cover band you wanted to quit, or whatever it is that pissed you off for the day.
Not a slam, brother, I get the frustration. But don't expect us to know you have a great attitude toward something you don't care for, when we have probably never seen it.
His post did not require a slam like that dude. Seriously, just as he may not know you well, do you know him? He has a good point. Take your crabby arthritic a** to your happy place, and quit being so confrontational.
Personally I think you lucked out. Sounds like you were going to bail on them, anyway. Better now than later in my view, they are already in touch with the other auditioners, who probably are still available, its easy to replace you at this point, not much time/effort wasted on their part.
However, they'd probably not think it was too cool, would have been hard to do without burning that bridge. This way, they feel bad for you, you go out on the high road, you look like a great guy, they, or any one of them, will call with another opportunity when it arises. You could now be first on their list.
Had you bailed, bad feelings on their side would have written you off most likely.
Randy
Sounds like both parties can improve their comunication skills.
It would be unprofessional if you bailed on the gig. It really doesn't matter the reason (Barring something urgent). If you didt want the gig, let it go. But you wouldn't want to leave them hanging. People talk and that builds reputations. Im sure you are better then that.
On thier part, they need to give you more of a heads up. Granted it worked out for you this time, but I wouldn't want to make a habit of letting people go at the last second after agreeing to have them play a gig.
Best of luck on your future gigs.