I was using GHS Chrome Flats for years .
You mean D'Addario Chromes Flats or GHS Precision Flats?
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I was using GHS Chrome Flats for years .
You mean D'Addario Chromes Flats or GHS Precision Flats?
I'd ask EB by email. Perhaps @SLaPiNFuNK. ?They don't make these in short scale. But I really want to try these. Could I make a long scale set work on my shorty?
They are a very flexible flat, and I strung up my SG with them without issue. Just go slowly and uniformly. Make sure to cut the length carefully. Leave silk on if you can, or, at least, some of it.They don't make these in short scale. But I really want to try these. Could I make a long scale set work on my shorty?
They are a very flexible flat, and I strung up my SG with them without issue. Just go slowly and uniformly. Make sure to cut the length carefully. Leave silk on if you can, or, at least, some of it.
It’s always a risk. They aren’t made for the shorter scale. I’m thinking of trying LaBella gold flats on the short scale when I’m ready to risk it.Thanks. I'm gonna try a set. I've done it before but usually don't like to do it especially if they've got a silk and are especially made for different scales.
But looking at the Fender strings on my bass now...no silk...no taper. So I probably shouldn't be so anal.![]()
It’s always a risk. They aren’t made for the shorter scale. I’m thinking of trying LaBella gold flats on the short scale when I’m ready to risk it.
I’d say slippage of the string is going to be the biggest issue. Watching that big E bend to a near 90 degree angle makes me forget to breath for a few seconds. They sound sweet though. They have a clear, somewhat thin/smooth, highs heavy tone on the SG. They’re way too bright for me though, so I’ll probably switch back to LaBellas. I could easily see a bassist who loves to do chords easily convert them self to a rhythm guitarist on the fly with this setup.I usually like a light set. 95 on the E. So hopefully that will work out without busting them loose around the peg.
I just have to do it. 55 pages of a 2 year old thread and I grew up on EB roundwound slinkys and disdained them with the cobalt versions. But time and tone changes...
I’d say slippage of the string is going to be the biggest issue. Watching that big E bend to a near 90 degree angle makes me forget to breath for a few seconds. They sound sweet though. They have a clear, somewhat thin/smooth, highs heavy tone on the SG. They’re way too bright for me though, so I’ll probably switch back to LaBellas. I could easily see a bassist who loves to do chords easily convert them self to a rhythm guitarist on the fly with this setup.
This is what they look like at the headstock. The A and D are no issue at all.
Non-issue, IME...Lots of good reading in this thread... quick question for those who’ve had the strings on for longer periods of time: any thoughts on more/less fretwear with these strings? I’ve heard that cobalt is a harder metal, and perhaps more prone to chew up frets? But these are flatwound, so maybe less of any issue? I wonder how they compare to other flats and even rounds in the fret-wear department... any thoughts/experiences?
Water erodes rock, over time.Lots of good reading in this thread... quick question for those who’ve had the strings on for longer periods of time: any thoughts on more/less fretwear with these strings? I’ve heard that cobalt is a harder metal, and perhaps more prone to chew up frets? But these are flatwound, so maybe less of any issue? I wonder how they compare to other flats and even rounds in the fret-wear department... any thoughts/experiences?