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New Fender Flea sig.

I did remark elsewhere that it's about time Fender finally offered a big Musicman style humbucker on the Flea Jazz so that the customer can actually buy a Fender like the one Flea tends to play these days. I am rather disappointed at the slightly 'budget' look of the bass despite the price tag.

I suppose though, these basses were not made with me in mind. I would be a Modulus Flea or Funk Unlimited if I were so inclined to have a Stingray style bass.

All the Flea basses look "budget" to me....including Modulus, Funk Unlimited. That's seems to pretty much be the whole concept....simple bare bones bass.

Modulus. Apart from the hideous FLEA neck inlay, how much more basic can it look?

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Funk Unlimited. Budget Hipshot "B" bridge, not even their top tier "A" bridge. Tossing a cheezy pizza-colored pick guard on won't fool everyone, either.

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Not seeing how the Fender looks any more "budget" than the Modulus, which of course is the real deal. Funny how some folks judge aesthetics based on brand name.

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Then there's this horrid looking atrocity...

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IMO this means nothing to Fender ... The '61 Jazz re-issue (if we can even call it that) made sense because of the color, RW feature and stack knobs in that particular price range. And while they were at it, why not associate the model with a famous player. However I'm not sure if that was the best business decision, I think the bass would've done just fine without Flea. This active Frankenstein's bass will end up just like the Dimension.

A little OT but a Flea sig. bass would mean heaps more to MusicMan. I mean can you imagine the increase of sales, especially in the Sterling by MusicMan department? All the way from the cheap Sub's to the Ray34's. I know those are not real EBMM's but EBMM still owns that company right? I believe that would justify paying Flea the endorsement ... or however an endorsement works.

All the Flea sig basses are directed at Flea super-fans in the first place. Obviously the various makers feel that there are enough Flea lovers to make the endeavor worth while.

It doesn't matter if EBMM offers a Flea bass, or anyone else for that matter. Without Lane Poor elecs and graphite necks, they'll all just be look-alike knockoffs that won't sound exactly like the real Modulus ones, anyway.

OTOH, despite the clones not sounding exactly like the Modulus, they may be terrific sounding/playing basses in their own right, who knows? Until the new Fender Flea bass hits the streets, nobody knows nuthin'.
 
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All the Flea sig basses are directed at Flea super-fans in the first place. Obviously the various makers feel that there are enough Flea lovers to make the endeavor worth while.

It doesn't matter if EBMM offers a Flea bass, or anyone else for that matter. Without Lane Poor elecs and graphite necks, they'll all just be look-alike knockoffs that won't sound exactly like the real Modulus ones, anyway.

OTOH, despite the clones not sounding exactly like the Modulus, they may be terrific sounding/playing basses in their own right, who knows? Until the new Fender Flea bass hits the streets, nobody knows nuthin'.

No graphite neck on his current fender custom shop basses so it could be close enough
 
All the Flea basses look "budget" to me....including Modulus, Funk Unlimited. That's seems to pretty much be the whole concept....simple bare bones bass.

Modulus. Apart from the hideous FLEA neck inlay, how much more basic can it look?

Well, there is no accounting for taste and matte black will make anything look like a dustbin. Even a Lamborghini Aventador, or any other tastelessly wrapped supercar!

FWIW, I think the Modulus wins on spec. Graphite neck, Bartolini or Lane Poor Pickup and preamp etc etc. You can spec one up to look like a starter bass, if you hide that graceful flaked layup pattern on the neck. I don't usually like black basses, they tend to look like starter basses to my eye, but I did have a think about buying a Modulus Flea a few years ago, in high gloss black with a Badass type bridge and a grey/blue effect scratchplate.

Tell me this doesn't look rather classy...

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It's perhaps not so obvious on record but the Modulus basses always seem to be a cut above in the live realm. The videos I've seen of Flea using them really have an added layer of snap and snarl. I think that really adds an edge to Flea's tone and harks back to his early use of a Spector (they always cut like a knife).

It's not surprising that the Modulus Flea is a 'no frills' kinda bass. It's essentially just a tougher, punchier Stingray, which is nearly as straightforward as bass guitars get. I'm just a little disappointed at how naff this new Fender bass looks. I'm sure it will sound alright, although for my tastes the Musicman 'sweet spot' pickup position is just a bit too close to the neck.
 
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pardon my ignorance but what exactly does 'quartersawn neck' mean and what are the benefits/advantages over a neck that isn't quartersawn?
Standard necks are flatsawn. Quartersawn necks have the grain oriented vertically when looking lengthwise either from the heel or headstock. They tend to be more stable through climate changes as their movement will be through shrinking and expanding in width instead of up and down.
 
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All the Flea basses look "budget" to me....including Modulus, Funk Unlimited. That's seems to pretty much be the whole concept....simple bare bones bass.

Modulus. Apart from the hideous FLEA neck inlay, how much more basic can it look?

View attachment 3211936

Reminds me of my first bass, a £99 Rockwood by Hohner!
(btw, I had a much loved FB-4, so I'm not dissing them :) )
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I know those are not real EBMM's but EBMM still owns that company right?

No they don't. It's an entire different company making licensed copies.

However, Flea pretty much stopped using Musicmans in the 90's...that's twenty years ago, but he mainly recorded with basses other than MM's. He was heavily associated with them at that time as he was visually seen with. Young people in the 90's? Sure a sig would have worked. Young people in 2018? They've been seeing him play lots of other basses.
His best recorded bass sounds were the Spector NS2 and the Wal Mk2.
 
The Flea Active Jazz Bass is an instrument of unusual power – just like its namesake. Co-designed with Flea of the Red Hot Chili Peppers, this thunderous bass is modern and muscular, featuring a custom pickup and active preamp designed to capture Flea’s hyperkinetic energy both on and off stage.
CUSTOM BODY WITH SATIN URETHANE FINISH
The custom-crafted body wears a satin urethane finish, giving it a unique look and smooth playing feel.
CUSTOM FENDER HUMBUCKING BASS PICKUP
The Tim Shaw-designed humbucking pickup delivers chest-thumping tone and massive output.
AGUILAR® OBP-1 18V PREAMP
This powerful bass preamp utilizes discrete all-FET circuits to provide up to +18dB of boost for huge headroom and flexible, commanding tone.
THE POWER TO MATCH FLEA'S PASSION
If there is one thing that Flea brings to all his musical endeavors, it’s energy.
From his hyperkinetic stage presence when playing bass for the Red Hot Chili Peppers, to his dogged pursuit of jazz theory and composition education, to his founding of the Silverlake Conservatory of Music school, Flea’s desire to spread the gospel of music is clearly powerful.
“Your body resonating with sound, the instrument resonating with your nervous system and the love that you have for the world … I kind of feel like the great language that humans have is music,” Flea said.
As such, it takes a bass of unusual power to keep up with the larger-than-life Flea, a bass that could match his boundless enthusiasm when performing in front of stadium-sized crowds. That instrument is the Flea Active Jazz Bass.
Flea has been a Jazz Bass aficionado for many years – his prized model is an authentic 1961 Shell Pink Jazz Bass that he received from a fan in the early 2000s. Flea worked with Fender to take it to the next level, adding a thunderous Tim Shaw-designed humbucking pickup paired with an Aguilar OBP-1 18-volt preamp that delivers chest-thumping tone and massive output.
Add in a unique Jazz Bass body shape with a smooth satin urethane finish, a quartersawn neck and a rock-solid HiMass bridge, and you have something that is undeniably Flea.
“It's really got the best of both worlds,” Flea said. “It's a workhorse. You can beat the poopie out of it, and it still rocks. But you can also articulate in a light and bouncy way, in a fast and vicious way or in a slow and warm way. “You hear every note crystal clear, but it still has the warmth and the love of old Fender basses.” For Flea, watching his jazz musician stepfather and friends jam in his living room as a child was the first time music “blew his mind.” Now, he hopes his new namesake bass can spark others to pursue their own musical passions.
“Just being a musician is the luckiest thing in the world,” he said. “Never in your life will you ever be bored. You'll always have something to do, and it’s always time well spent. It's just such a gift, and there is this infinite quantity of things to discover and learn and play. Never worry about anything except surrendering to the beauty of the feeling of playing an instrument.”
 
Does anyone know if the new bass means that they'll be discontinuing the 61? I've had my eye on one for a long time and I've been procrastinating. I waited too long to buy a blue sparkle Steve Harris sig and the one they offer now looks like a Jawbreaker. I don't want the same thing to happen a second time with the flea bass.

Don't think so
Not the same basses
Not the same range
 
Tell me this doesn't look rather classy....

To me that looks cheesy, cheap and tacky as hell. I'd take a black bass over it any day. So yeah, we all have our preferences. Modulus is still ugly to me, and the new Fender Flea sig is totally meh to me looks wise (and has always been since Flea started using it). Stingray (IMO, my taste and preference, JMHO) reigns supreme over all single H pickup basses, in both looks and tone department. Just don't mess a nice Stingray up with some cheesy looking finish.. ugh..