Good move. There's a reason a majority of people use the CaliCB and even Jack acknowledges the Cali is Gold with his creation.
Yep
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Good move. There's a reason a majority of people use the CaliCB and even Jack acknowledges the Cali is Gold with his creation.
I’d love to try out the LA-1A one of these days. Something tells me that with my Studio One would be epic.
As do I. It’s very good.I think @kevk has the Studio One / La-1A combo
Is that the 16" version Metro board? I have a Noble build in the works and I plan on including a few more pedals so I'm spec'ing out new board possibilities. Thanks.
Check out JamboardUSA on Facebook if you want a really nice pedalboard built to your specs. He does wood in any colors or stain and they are amazingly built. Will do any setup you need or any fittings. Prices are really cheap for what you get. Here is the one he built me.Is that the 16" version Metro board? I have a Noble build in the works and I plan on including a few more pedals so I'm spec'ing out new board possibilities. Thanks.
Is that the 16" version Metro board? I have a Noble build in the works and I plan on including a few more pedals so I'm spec'ing out new board possibilities. Thanks.
Nice! Gotta love options
Looks like you could fit envelope, chorus, and octave all together if you rotate the Noble 90 degrees and slide the Cali to the right.nice board, but not a Noble to be seen anywhere
I'm using a Metro 20, but I'm pretty sure I could easily fit my stuff on an 16.
Cali76CB => open space for envelope, chorus or octave pedal depending on needs => Noble DI
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What do you do with all those HPF’s are they redundant or not? Curiosity is killing me.
I run my Noble into the input of several amps, including a Mesa Walkabout, Mesa WD800 and a Fender Studio Bass. The Walkabout has 2 tubes in the preamp (these tubes each have two stages) ... so it uses 3 tube stages for the gain and EQ and 1 to drive the mosfet power section. The Mesa WD800 has 1 tube (2 stages). The Fender Studio Bass is all tube ... pre and power. So, basically I already have a pretty tube heavy amp selection and yet the Noble still adds some great additional voicing and flavor to my live rigs.Hi all...I’ve been lucky enough to play through one of these and was very impressed but I have a quick question...
If the preamp section of my amplifier contains 1-3 tubes, what can the Noble give my amplified sound that I don’t already have...
thank you in advance and please excuse any ignorance
different strokes and all thatAfter much experimentation, my preference is to use Noble without adding other preamps. To my taste, layering preamps creates a muddy tone -- "too much" of a good thing. So I leave my Fender Jazz Deluxe V bass with an onboard Sadowsky preamp off in passive mode. Input from Noble goes into the amp's FX Send to avoid the preamp in my Phil Jones combo. Ditto for micing my double bass: mic -> Noble -> FX Send and/or direct to board. Simple is better for me.
hey Noble owners, I'm curious about how everyone is using the B T and HPF controls.
I have read that a number of users are barely twisting the B and T controls at all. I have used mine that way a few times and it does still impart some sweetness to the tone, but find I really like more of the EQ.
I guess V is at unity gain right around 10:00. Depending on what I'm using it for (tracking or live use), I have kind of settled on Bass between 10:00 and usually no more than 1:00. Treble is more instrument dependent, but I rarely set it lower than 10:00 and no more than 2:00.
let's hear about where you set the Noble DI controls and why (if you'd like to add that).
thanks!