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Non-matching G string flatwound… would this bother you?

Texican

Supporting Member
Aug 9, 2018
1,980
5,613
I recently purchased a used fiesta red classic vibe 60s precision bass, and it arrived with an eight month old set of broken in GHS precision flats. All is well in the universe, but I didn’t like the 55 gauge G string at all. So I tried a couple of different sets I had laying around, the last being a set of DR legends. I ultimately decided that the original strings that were on it sounded and felt best, aside from the ginormous G string.
46CDBF68-2D6E-4BB5-B7EA-4A952AF2BAE2.jpeg

Oddly enough, the feel, tension, and even sound seem to match up and balance nicely. I think I could leave it this way and be satisfied, but there is some nagging part of me that knows it’s just not “right”. What would you guys do? Order a single lighter gauge G string from fret nation? Or leave it as is and enjoy the quirkiness?
 
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Oddly enough, the feel, tension, and even sound seem to match up and balance nicely. I think I could leave it this way and be satisfied, but there is some nagging part of me that knows it’s just not “right”. What would you guys do? Order a single lighter gauge G string from fret nation? Or leave it as is and enjoy the quirkiness?

If they sound good and feel good together, why not? The fact the silk colors don't match shouldn't be a deterring factor unless it aggravates your OCD too much. ;):D
 
I have a slightly heavier gauge g on my mustang cause the matching one was too dainty. It feels good and sounds much better to me. So why not keep it like that?
Because it doesn’t feel better and sound better to me. Also, your Mustang is a short scale with less string tension relative to each string compared to a 34”.
 
Because it doesn’t feel better and sound better to me. Also, your Mustang is a short scale with less string tension relative to each string compared to a 34”.
But you said in your original post it does work for you except that it doesn't meet your ideas of matching. So what's your problem with what I said?

In other words, I'm saying keep yours like it is with mismatching strings- since it feels good to you, so what are you on about replying to mine like that?
 
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But you said in your original post it does work for you except that it doesn't meet your ideas of matching. So what's your problem with what I said?

In other words, I'm saying keep yours like it is with mismatching strings- since it feels good to you, so what are you on about replying to mine like that?
When you pointed out that you have a heavy G string and prefer it that way because it sounds and feels good, I thought you were saying that I should also be happy with how the heavy gauge G string sounds and feels on my bass. I didn’t realize that you meant I should keep it mismatched… I thought you meant that I should keep the heavier G string like you did. Apologies.

To answer your original question, I guess my only motivation for not keeping them mismatched is that now I can’t use the rest of the DR legend set, and I have other instruments that I could put them on. Again, sorry for the confusion on my part.
 
I recently purchased a used fiesta red classic vibe 60s precision bass, and it arrived with an eight month old set of broken in GHS precision flats. All is well in the universe, but I didn’t like the 55 gauge G string at all. So I tried a couple of different sets I had laying around, the last being a set of DR legends. I ultimately decided that the original strings that were on it sounded and felt best, aside from the ginormous G string.
View attachment 4816894
Oddly enough, the feel, tension, and even sound seem to match up and balance nicely. I think I could leave it this way and be satisfied, but there is some nagging part of me that knows it’s just not “right”. What would you guys do? Order a single lighter gauge G string from fret nation? Or leave it as is and enjoy the quirkiness?
I left a Rotosound FunkMasters G on a bass that had La Bella White Nylon strings on it. Really enjoyed it!
 
It’s completely fine. In the cello world (very similar to bass flatwounds, TI actually makes fantastic cello strings) it’s super common to mix sets to get the desired sound/response. You see mixed silks all the time there.

Mine has Thomastik-Infield spirocores on my C and G, and my D and A are from larson, a completely different manufacturer and type of string. But they sing better and are more musical on the higher strings.

People play famous Bach pieces on $200,000 cellos like this. An electric bass can’t be more complex than a bunch of paper thin wood under high tension held together by horse glue (imo).

If your ears are happy, screw everything else.
 
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I recently purchased a used fiesta red classic vibe 60s precision bass, and it arrived with an eight month old set of broken in GHS precision flats. All is well in the universe, but I didn’t like the 55 gauge G string at all. So I tried a couple of different sets I had laying around, the last being a set of DR legends. I ultimately decided that the original strings that were on it sounded and felt best, aside from the ginormous G string.
View attachment 4816894
Oddly enough, the feel, tension, and even sound seem to match up and balance nicely. I think I could leave it this way and be satisfied, but there is some nagging part of me that knows it’s just not “right”. What would you guys do? Order a single lighter gauge G string from fret nation? Or leave it as is and enjoy the quirkiness?

All good if it’s good with you. In the upright bass world it’s a common practice to use mixed strings, and even mixed types of strings, like steel stranded core and nylon core or other structural differences.

A black magic marker will fix those different colored silks, if that’s bugging you….
 
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