Did you get the drummer's and singer's phone numbers? They may tire (sorry, bad pun) of the guit's attitude before long....




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Well, the band I'm in has been on hold due to the Corona Virus, and now it looks like it may not get back together again. Even with gigs pending, the future looks cloudy.
So, I'm hitting the band audition trail and thought it might be interesting to post a report. Of course, I would rather be posting a gig report and in true BassCliff style I would show photos of the stage, the food, the beer, and the girls. But this is the best I can do.
Connected with a guy that wanted to bring a bass player into a band with him on guitar, a drummer, and a girl singer. Gave me a list of twenty songs. I knew half of them already so I figured I'm good to go. I never learn more than that because I don't know if I like the band or the people in it. If it works out, I can always learn more. And they can get a idea of how I play with 10 songs. No gigs pending so no time crush to deal with.
The guy gives me an address and says we can play at his place. I show up and I'm in a shopping center???? So I call him and no answer. I text him and no answer. Starting to get worried and he returns text saying I'm at the right place but he is busy with customers right now. After about ten minutes he opens the door and walks out.
Guy was kinda grouchy and rude but whatever. Met the folks in the band, and they were nice enough. Started playing. After the songs I know he wanted to play the rest. I told him I don't know them. He said he remembers every song he ever learned. And went ahead and started playing stuff I didn't know. So I did the best I could, and after a while I decided I had enough. I didn't like the guy, and I knew it would not work out. Told them I had to go, thanks for your time, and took off.
Probably just as soon as they can afford their own Golf Cart Store™ to rehearse in...And I wonder how long until the drummer and singer eventually tire of this guitarist's shenanigans and strike it out on their own.
For me it's the other way around. I put the bands on probation until I have a good sense about how well they all prepare outside of the rehearsal space and how well everyone gets along together. They may feel the same about me, which is fine, but I will tell them point blank that I'm not committing to weekly rehearsals for anyone but my main band and I'm okay with not being considered a full member. I honestly don't have the time to commit to three or four nights a week for all the bands that I play with. So I consider myself the first-call sub for most of them, even though they generally don't use anyone else. It's easier that way.I’ve come to the conclusion Auditions are like a first date. You’re dressed to the nines, you’re on your best behavior, prepared the best lines. But the real proof comes later. Like how well a musician prepares for a full blown rehearsal, preferably with several challenging pieces that he (or she) has never played before to gauge the work ethic. To that point, I work with a BL that puts you on short probation until you have the sets down. (I’ve been in the band for almost 5 years, so I asked him at the last rehearsal if I’m off probation. He said he’s still trying to decide)
Better yet, bring in candidate and have entire band learn something new. You go through that process, you got a pretty good idea off what you are working with.
(...)and after a while I decided I had enough. I didn't like the guy, and I knew it would not work out. Told them I had to go, thanks for your time, and took off.
Learning 20 songs for an audition is about 17 too many. Knowing 20 songs cold for first rehearsal is about work ethic.Regardless I would have At least made a run at learning the songs I didn't know. To me it demonstrates a degree of commitment and work ethic (nobody's playing right now anyway) as opposed to a degree of arrogance. What if it had been a dream band situation and you had to admit you didn't trouble yourself to learn all the music, to the disappointment of the others. That's just my thoughts, anyway.
That said, I can pretty much tell after 2 if I want to be around you for an extended amount of time. Not that I'm by any means a professional. You can just tell how a person is by the way they carry themselves, the way they play even if it isn't perfect, and their movement. For me, no more than five. Usually they'd give me five they wanted to audition with. If someone gives me a long list without specific direction, I will tell them "I'm going to learn these five, because that's what I have time for right now." And then I expect them to either say "no, please learn these other five" or "OK."So not to hijack too badly, but how many songs is reasonable?