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NPD Southampton Ictineo

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Hah I had a parcel this morning from the former colonies ;-)- super speedy delivery. I only had a brief play with it but I have an inkling that it is one of the rare occasions were its safe to believe the hype. It sounds great out of the box and just gives the tone a nice lift and presence! I have a rehearsal tonight and will give the Ictineo a proper workout....
 
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Got my delivery confirmation email. Printed off the Quickstart Guide, Found the post about the "Clean SVT" setting and wrote that down as well... This is going to be a long afternoon. :)

Has anyone tried running the Ictineo direct into a poweramp? Say, using the Effects Return on an Aguilar Tonehammer 500 for example...
Should work fine. Mine has gone into the loop return of several amps and a Crown power amp with amazing results.
 
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Played around with the Ictineo a bit last night with my Geddy Lee jazz bass (in the pic I posted above :)) and definitely found a bunch of nice tones in there.

Just a few quick thoughts:
  • I started with the "SVT" preset described in this thread but found it really lacking in high end clarity with the tone knob turned down so far, so that got me playing around from there. Good for a jumping off point, anyway.
  • The UltraBass switch adds a nice fatness without getting too muddy. I found it a bit much after a while in my "studio" practicing through headphones, but I'm sure it'll be great live. Playing with the Body and Tone knobs in conjunction with the UltraBass yielded a lot of interesting and useful tones. I find myself usually favoring a P bass over a Jazz, but the UltraBass helps bring back some of that fatness to the Jazz bass.
  • The various mid boost and cut switch options all sounded quite musical as well. Nothing overbearing or obnoxious unless you really work to make it sound that way. That being said, any time I was getting tired of a certain frequency I was able to find some way to dial it back using the toggle switches and the Body and Tone knobs. The tone knob is interesting in that it cuts bass at the same time as it boosts treble. There's a lot of change between 10:00 and 2:00 on that dial.
  • I couldn't hear what the Body knob does above 12:00. Below 12:00 seems to be a midrange scoop, but going up past about 1:00 I wasn't hearing that much of a difference. Anybody?
  • The Boost is HUGE! Like, turn the volume down on the pedal before you engage it, then turn it back up. It overwhelmed my Universal Audio mic pre / interface line input in a hurry. Once I dialed it in though, I found it gave a nice edge to the sound.
My favorite tone (or at least the tone I ended on) was actually what I posted in that picture above. Body 10:00; Tone 1:00; Boost On; UltraBass Off; Left Switch SUB; Right Switch 250 Dip, with the tone knob on the bass dialed back to about 25% (nearly off). It actually sounded close-ish to the bypass tone, with just a little bit of "excitement" or mojo added in. Even with the tone rolled off so far, it wielded a nice clear, growly tone that seemed to work well in a variety of mixes (playing along to mp3s). Adjust the tone knob on your bass to add some bite back in as needed. Dime it and dig in for that mid 70s Geddy Lee The Necromancer type tone.

I'm really looking forward to bringing it to practice tonight. I usually use my P bass in that band, but I think tonight I'll bring the Jazz just because that's what I was using last night at home. That way I'll be able to translate the pedal for live use a little better. I can't wait to try it with my P/flats though, too. :)
 
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