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Thanks!I always stack my two Super Compacts sideways. As far as I know this does not affect the sound.
I'd never do that, if there was any chance of playing loud. The resonator openings on the side are also vents, and they're designed to manage the heat the speaker generates. Having the vents run vertically along the side means cool air can enter the cab at the bottom and warm air can escape at the top. Having the cabs stacked sideways won't affect the sound (as far as I know), but having the vents run horizontally along the bottom defeats the temperature control function of the side vents. And hotter speakers are more susceptible to damage.I always stack my two Super Compacts sideways. As far as I know this does not affect the sound.
I'd never do that, if there was any chance of playing loud. The resonator openings on the side are also vents, and they're designed to manage the heat the speaker generates. Having the vents run vertically along the side means cool air can enter the cab at the bottom and warm air can escape at the top. Having the cabs stacked sideways won't affect the sound (as far as I know), but having the vents run horizontally along the bottom defeats the temperature control function of the side vents. And hotter speakers are more susceptible to damage.
What kind of bottom is that Super Twin capable of? What type of music are you using it for? Pros/cons?My office last night for the first gig with a Super Twin. We're a relatively new band and we've been playing out about once a month since April. Last night several of the local musicians that inspired us to do our thing were in the audience. Got a few questions and comments about my bass rig. Yer gettin' some PHAT sound! was the common theme. I agree. That little box is killer!
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The answer to that is always "compared to what"? It's got more bottom than my previous cabs, a Bag End S15 and Audiokinesis TC112. But those were obviously single speakers. Both were great at what they did. The Super Twin is just…more. Deeper, fuller, richer. And I haven't played it loud yet. I play passive 4 string J's and P's doing classic rock and old country, mostly.What kind of bottom is that Super Twin capable of? What type of music are you using it for? Pros/cons?
I'm intrigued
Thanks, it sounds awesome!The answer to that is always "compared to what"? It's got more bottom than my previous cabs, a Bag End S15 and Audiokinesis TC112. But those were obviously single speakers. Both were great at what they did. The Super Twin is just…more. Deeper, fuller, richer. And I haven't played it loud yet. I play passive 4 string J's and P's doing classic rock and old country, mostly.
Pros: 40 lb box with tilt-back wheels, massive power handling, neutral voicing. Like I said, the musicians in the audience knew it sounded good.
Cons: no crossovers or tweeter. The speakers are full range but I can hear the difference from the TC112, which features a legit crossover and tweeter assembly.
The answer to that is always "compared to what"? It's got more bottom than my previous cabs, a Bag End S15 and Audiokinesis TC112. But those were obviously single speakers. Both were great at what they did. The Super Twin is just…more. Deeper, fuller, richer. And I haven't played it loud yet. I play passive 4 string J's and P's doing classic rock and old country, mostly.
Pros: 40 lb box with tilt-back wheels, massive power handling, neutral voicing. Like I said, the musicians in the audience knew it sounded good.
Cons: no crossovers or tweeter. The speakers are full range but I can hear the difference from the TC112, which features a legit crossover and tweeter assembly.
Also, the Barefaced Super Compact T (which I own) is a single 12" with a Tweeter/crossover that can be dialled in/out via a variable resistor.If you miss the full range with a tweeter - you should try a Big Baby or Big Twin.
I know what you mean. I think the design goals of the AK Thunderchild and BF Big Baby are similar. Both can be configured for PA use but sound amazing with bass instruments. I'm continuing to use my TC112 with one of my bands that's all acoustic instruments. The volume required in that situation is perfect for the smaller cab.If you miss the full range with a tweeter - you should try a Big Baby or Big Twin. The horns and crossovers used are not harsh at all. Very musical - puts the click & clack machines that most vendors call a tweeter to shame. I run my basses straight into my TT-800 & BB3's and never have had any harshness from the top end. I've dialed the horns back and definitely like the tone with them full on better than the high mid/high response of the woofer alone. Super thoughtful and musical setup. FRFR is great.
Interesting. And makes sense. @alexclaber how much of a concern is this?
Thanks!I know what you mean. I think the design goals of the AK Thunderchild and BF Big Baby are similar. Both can be configured for PA use but sound amazing with bass instruments. I'm continuing to use my TC112 with one of my bands that's all acoustic instruments. The volume required in that situation is perfect for the smaller cab.
And I don't mean to imply that the Super Twin is lacking. It's phenomenal. But it doesn't have that top-end presence, if that's something you need.
On Barefaced's website, the Super Compact specs say:
I have a One10 and One10T on order and for sure it says they can be stacked vertically or horizontally.
- Consistent polar response when vertical or horizontal Super Compact / Super Compact T
Wouldn't the quote i posted here indicate the same for the Super Compact?
Thanks for the explanation. Since it does say it can be stacked vertically or horizontally, wouldn't that mean it is safe to do so?No, polar response has nothing to do with how hot the speaker gets. Polar Response means it sounds the same no matter which way you turn it.
A sideways SC has the ports running along the top - they're on the same side as the handle and the opposite side to the feet.having the vents run horizontally along the bottom defeats the temperature control function of the side vents
That's interesting, but it doesn't substantially change my point. With the ports on the side, the vertical arrangement provides a bit of a chimney effect. With the ports horizontal, there's no upward airflow.A sideways SC has the ports running along the top - they're on the same side as the handle and the opposite side to the feet.
I'd never do that, if there was any chance of playing loud. The resonator openings on the side are also vents, and they're designed to manage the heat the speaker generates. Having the vents run vertically along the side means cool air can enter the cab at the bottom and warm air can escape at the top. Having the cabs stacked sideways won't affect the sound (as far as I know), but having the vents run horizontally along the bottom defeats the temperature control function of the side vents. And hotter speakers are more susceptible to damage.