I've fulfilled the prerequisite requirements to join the club.. SC on the way!!
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Gig tonight! Folksy trio on bass and cello, One10T on stand.
Almost Famous Livermore if any are interested.
how well does the LB power this cab?
How much impact does the tweeter make? I've been leaning towards a second One10, but maybe the T version makes more sense. I have a 4 string P and a 4 string acoustic, a couple of pedals and style-wise I'm all over the map — folk/new grass/country - classic rock - post punk - dark ambient
It is a great fit. Been there, done that, until I realized just easier/lighter for me, to carry the one10 in a lecover and over shoulder amp. Sold it, I think to someone with a 1 10 bought it. lol...nah... local sale, wasnt worth shipping. Enjoy.In my ongoing nerd quest for the "one trip from the car to rehearsal" solution, gonna try this Cajon case to hold the One10 + a markbass head.
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I can vouch for a single One10 being an incredibly capable cab. Granted, I'm currently using it in settings without drums, but multiple acoustic guitars and singers through a small PA and an electric piano. And for the most part I'm just using a Quilter Interbass @ 33W — and I'm never above 50% volume or gain!
This is very encouraging, because I'm strongly considering a One10T with a tiny amp, possibly a Warwick Gnome, to replace my Mesa/Boogie Walkabout Scout 12 combo for quieter gigs/jam sessions. Since I am now car-free, having a 17 lb cab that would fit in the basket on the back of my bicycle seems appealing.
Argh! I've opened a potential can of arguable worms here and have quite properly been pulled up by the Boss for my loose language. Although after string mass and tension are included the response speed vs scale length question is probably not so simple.
I won't venture into cause and effect any further but subjectively I don't find it possible to make a BG sound satisfactorily like a DB by tweaking knobs or amps, at least to my taste. I can get just a bit closer by palm muting, which deliberately targets the shape of the sound envelope, but there's clearly a lot more to it. It's also interesting that, for me, an EUB never seems to sound satisfactorily like a DB either.
Could someone make some kind of envelope filter that added, to your bass guitar, the DB finger noise at the front and emulated the more gradual swell and faster decay? "Turn your BG into a DB - cheap at twice the price!"
Sounds like a scam.had to show proof of my SS number