Thanks DiMarco. Measurements and pics would be great. I'll try to the same for mine. Is you 94 a "special" also? I wonder if All the five necks from that era have the same profile/thickness as the Special.
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Hoping for more ideas and feedback on my recent post. Any thoughts?
I just picked up locally a Zon Sonus Special 5 string in beautiful condition, 1994, Everything is original and great on it except to me the relief seems on the high side, a fair bit higher than what would set a Fender Jazz bass, .014 in. Since there's no truss rod and the relief can't be adjusted, I"m wondering what Sonus owners would consider acceptable relief. I understand that ideally the should be some slight relief in the graphite neck, but this is more than that, though still playable in my opinion. I"ve looked into the option with Joe of having the neck refurbished to install a truss rod, something I understand others with early Zons have done. SOunds like the ideal option but labor intensive and not cheap.
Any opinions on acceptable relief. SOmeone posted the opinion that .015 was fine but this a bit more than that, around .017. I know of no other options for improving the relief. I don't think a shimming would do anything to change the relief. Any thoughts?
That's a beauty... it's a lot like mine.
It might be 33" scale, but it definitely doesn't have a 33 position neck.
It'll be a 26 position neck... try counting the half-line position markers.
I never bothered counting them, but I did think that neck looked pretty normal to have 33 positions. I know some TJ's went to 29 or so, but the fretboard extended all the way to the neck pickup. Hope he was right on the scale length. I know some of the TJ's were 33", and he did say this one was originally strung E-C. Good news is Joe after this rollercoaster ride you'll be all set for Disney.
Details, details ...... LOL
I hope that it truly is 34" scale too. But as long as the mwah and growl are there (and the B string is decent) I'll eventually make the muscle memory adjustments. At least I know that it has a half-lined board. And I may end up stringing it E-C for recording anyway.
It'll be tough to leave it behind (the day after it arrives) for the Disney trip. It might just be a stow-away. Kicking back on the sofa playing it would be a great way to unwind after a long day at Magic Kingdom!![]()
Thanks DiMarco. Measurements and pics would be great. I'll try to the same for mine. Is you 94 a "special" also? I wonder if All the five necks from that era have the same profile/thickness as the Special.
Incoming Zon!
It's been a couple years since I've owned a Zon but I always said I'd love to have fretless Zon. Well low and behold my wonder wife informed me last week that she wanted to get me a new bass for our 40th anniversary gift (we should all have wife's like her!).
I was just about to give up looking for a Zon fretless and purchase another Roscoe fretless when a google found a really nice used mint Zon TJ-5 Custom.
The specs are: mahogany body, bubinga top, 34" scale set-neck with 26 position half-lined finger board, std Zon Barts, Darkglass pre and matching head stock. It'll be here Monday so I'll just post a pic from the sales ad.
I'll post some better pics after it arrives (along with my initial impressions). Looking forward to playing this one!
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As far as "dream bass" - I was just looking at the pics from NAMM and thinking "Wow, what a lot of beautiful basses, but none I like more than mine..."
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For comparison, mine...
In fact I have the 3 band Bart. I toy with the idea of putting an ACG in it, but the thought remains just that - a toying around thought. I'm happy with her as she is.Absolutely Beautiful! I love the custom knobs too. They match the top perfectly!
What pre do you have in yours?
Here's my weird lefty cousin to both of yours...
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I also have the Darkglass pre in mine and I honestly love it. For me, fretless tone is all about the mids and the Darkglass pre is absolutely perfect for dialing in some barky tones that you can't get on other preamps.
In fact, I honestly kind of hate preamps in general I think they get in the way of natural tone and wreak havoc on pedal boards and make dialing in an amp extra difficult. However, even though Darkglass is known for balls-to-the-wall coloration and aggression, their preamp is incredibly mild and natural sounding to my ears. YMMV, of course.