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Oh. It's not a Fender...

Just say, "It's a boutique Fender made by a prime builder. Fender ended in 1964 and now they don't know how to make a real bass. Like Chevy." Then sniff, leaf through a copy of the New Yorker, and order an old fashioned or obscure single malt. It helps if your girlfriend in a 10. Then pack your gear into your lamborghini and set off. That oughtta do it.
 
I've also had people go the other way and ask me why I'm playing a Fender instead of my MusicMan.
But the best is when somebody with a little bit of knowledge looks at the headstock on my P(arts)-bass where it says "Jazz Bass" and then at the Precision body. I can almost see the smoke come out of their ears as they try to take it in.
 
It's annoying but in the end, like many have said, the tone is in the bass. Fender has been around and are widely available. I have owned numerous Fenders/Squires, and have had some great basses. But I have had great EBMMs, G&Ls, Rics, Gibsons, Laklands, etc.

The sad thing is it isn't just about basses, it is about everything. Everyone wants to project their 'will' & 'desires' on you. If you do not share their taste, somehow you are 'lesser' for it. I hate that crap, and their ignorance sickens me.
 
How about a Fender static sticker that comes in different shapes and colors to put on the headstock of a non Fender bass. Slap one over the butterfly on that Fodera and no more ...Where's your Fender dude? ;)
 
I do alot of fill in work and while i would love to get by with just one sadowsky or lakland, alot of the bands that will higher you want to see a fender come out of the bag...its not only just a sound thing but an image thing...unfortunately...but having the gear that the bands want is what gets me paid so that i can afford a sadowsky.
 
I've played more gigs on my Fenders than anything else, but have received the most compliments about the non-Fenders I've played: a DiPinto Belvedere semi-hollow, G&L L-1500, and G&L SB-2. Other musicians seem more intrigued by instruments they haven't seen before.
 
Yup, happened to me a few years ago when I had my Spector Euro.
"How come you don't have a Fender? He asked. After I explained that there are many other great basses and some cost way more that Fenders. He looks at me like I have no idea what I'm talking about and then says, "But Fender is the Cadillac of guitars." I just walked away.

If Fender is the Cadillac is Ritter the Bentley!? :D
 
I've played more gigs on my Fenders than anything else, but have received the most compliments about the non-Fenders I've played: a DiPinto Belvedere semi-hollow, G&L L-1500, and G&L SB-2. Other musicians seem more intrigued by instruments they haven't seen before.

FWIW, I am one of those bassist's who are more intrigued by a bass I have never heard or seen when it's being played live. The only fenders i get goofy about are vintage one's and I am a fenderhead.
 
i read up on it a little and apparently spector lost the case, and now warwick makes it different enough where they can't be sued. still, i think it's pretty lame. not sure why that bothers me vs. the endless fender copies out there not bothering me, but there you go ;)
 
I almost guarantee the guy knows little or nothing about basses. He's probably heard of Fender and that's it.
true.....there are those that will use what little knowledge to be friendly and start a conversation,and those who are looking to malign......trick is to figure out which is which.....cost's nothing to humor the former,and who cares about the latter.....