Acquiring the rights to other people's music is more profitable still. Put down that bass!
Who is talking about profit here? I thought we were talking about good music and good bass players. Katy Perry and Miley Cyrus make huge profits...
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Acquiring the rights to other people's music is more profitable still. Put down that bass!
- What did Jamerson write? What did Chuck Rainey write? What did Jack Casady write? The list goes on...
- Jaco's "theme song" was The Chicken - he didn't write it.
- Who played it that way first? That's the important thing.
- That material impresses people but doesn't represent Jaco's real contributions to the art of electric bass, any more than Blackbird or Yesterday represents Macca's.
- Who's talking about profit?
- Fast is not the point at all, as demonstrated by the OP's video. You can be tone deaf and play fast. We don't evaluate greatness by how fast somebody plays. (At most it might be one aspect of judging the chops of a great player but it's by no means the most important factor.) Nobody's going to remember the guy in the OP video.
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Jamerson and Rainy never wrote anything???
You mean those bass lines were all written out for them before they walked into the studio???
It ain't what you can play; it's what you can write. Paul McCartney can't play like her either, but he's still done ok writing a few...
Composing and writing music has always been more profitable than wiggling your fingers very fast. From Jaco to Paganini, the greatest technical innovators are remembered more for the songs they wrote.
And posting head shaking emoticons doesn't prove your point or help you to look more intelligent; it's actually a little insulting and hurtful.
Maybe in a hundred years you might understand what I am talking about.
Who is talking about profit here? I thought we were talking about good music and good bass players. Katy Perry and Miley Cyrus make huge profits...
Tech death players can take pretty much everyone to school. They combine musical depth with speed and often multiple techniques. Many of them often play different styles and use this style to push the extremes. I don't necessarily like Rings of Saturn, but bands like Decrepit Birth, Obscura, Rivers of Nihil, and Black Crown Initiate blow my mind.well, after I saw this guy, I decided that my skills are Mod edit - no profanity
Got it. I'm not on here to quarrel either. But I do have opinions and sometimes if it's about something I think is an important point, I will get into it.Well, MVE was, and that's who I was ribbing. I'm not on talkbass to quarrel.
I wouldn't be surprised if her family were musicians.
Improvising is a form of composition . And inventing or "composing" a bass line based on a chord progression is certainly writing.
So... what are you talking about? Who said this?
And this:
There are great players, and there are great composers and it's two different things. Some great players are also great composers, others not so much.
And vice-versa.
And I'm sure (at least I hope) you know that a tremendous amount of great jazz and almost all blues and classical music is covers played by great players/great interpreters: A great interpreter is a great artist/musician even though they may never have written/composed anything on their own. "Songs they wrote" has got nothing to do with it.
Lines that you play off a song in the studio are not "writing" or "composition" - it's improvisation. If you take a line that you came up with and build it into a self standing piece of music, then you've "written" or "composed" something. That's English. If you're using a different language, please give advance notice.
On that I agree with you: Removed.
I hope not, because you just jumped the shark. You're all over the map.
Enjoy
@bak
to a fusion guy, this would make me much more likely to thrown in the towel... kids these days, sheeesh! Check out the solo that starts around 2 minutes, speed and crazy harmonic facility!
I was only trying to convince you that you don't need to be as technically proficient as that young girl in order to invent or compose something special.

Anyway, I think you might be missing my original point entirely.



We are who we are as Players, we all have our styles, technique etc. every Note we play is our own expression of that note and that's what makes us different not worse or better just different, I'll bet we all pull something out that Pros say to themselves that was cool how did he do it...