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My DI has two different flavors of dirt, a decent EQ, and the best single-knob compressor on the market (imo), so...looks like I'm coming in two pedals under your two pedal limit.
Many here seem to have a love of multiple effects pedals and that's great, but personally I'm in the camp of minimalism and simplicity.
What two bass guitar effects would you choose if you were limited to only two? Explain why and how you would use them.
Personally, I see very little use for most of effects, especially 'spacial' effects. They seem to get lost in the aural excitement of the sound of the whole 'band.' Overdrive or distortion can help cut through but effects like reverb 'seem' fruitless unless you're the only one playing.
EDIT
DIs and tuners don't count! I'm talking about specific effects. I'm on the fence to say whether PreAmps count.
Hello. Probably you will find a few answers here:
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2 OD’s
1 for Tubey grit / hair
1 for harder drive
That’s all I use
Intriguing. What DI do you use?
Many here seem to have a love of multiple effects pedals and that's great, but personally I'm in the camp of minimalism and simplicity.
What two bass guitar effects would you choose if you were limited to only two? Explain why and how you would use them.
Personally, I see very little use for most of effects, especially 'spacial' effects. They seem to get lost in the aural excitement of the sound of the whole 'band.' Overdrive or distortion can help cut through but effects like reverb 'seem' fruitless unless you're the only one playing.
In no way do I imply that you MUST use a pedal(s). What I'm saying is that to arbitrarily limit the number to two doesn't make sense.Then again, I gigged for over 30 years without any effects, there were no issues whatsoever and I never felt compromised or limited. Granted the music was mostly classic rock, jazz and blues.
Which specific models do you use?
As an intellectual exercise I would agree that it has merit. After 45 years of playing though, I've payed my dues (many times over) and I want to make things easier, not harder.I could see where it might have an educational value. Because you’ll see a lot of people constantly adding to their rigs but never really learning how to use what they already have.
When my sister was getting her fine arts degree, her painting classes forced them to use a deliberately limited pallet of colors to teach them how to get everything possible out of what the my were allowed to use. Then, after they got a handle on a minimialist pallet, the instructors would gradually add a color at a time. But even so, many professional painters will still only use a relatively small number of colors in any given painting. Usually it’s between five and eight.
I’ve heard kids with a half dozen cheap effects produce cool sounds that some folks rocking a rack of Strymon and Eventide gear wouldn’t be ashamed to call their own.
Sometimes being forced to work with less gets you more. Not always. But anybody that knows how to push what they’ve got as far as it can go will have an advantage over someone who bought expensive gear but then uses it for nothing beyond than the factory supplied presets.
As an intellectual exercise I would agree that it has merit. After 45 years of playing though, I've payed my dues (many times over) and I want to make things easier, not harder.
As an intellectual exercise I would agree that it has merit. After 45 years of playing though, I've payed my dues (many times over) and I want to make things easier, not harder.