My last update on this thread. I'll still respond to questions if needed.
I put the bartolini mk1s back in. The issue is not present. I can go lower than my preferred action with those pickups.
Nordstrand hasnt responded yet. If they dont, I wouldn't blame them. That's a huge double edge sword. I would imagine it could start a whole new trend of problems for them, with people checking to see if their pickups affect action height.
That's not something I would want to step in either.
I understand the scepticism. I was as sceptical as well. It makes no sense logically to the average person. But for those of you interested, the information is out there. You have to dig to find it. The affects of magnetic fields on metal in motion is quite a complicated topic. Most of the information you will find is in equation form with very little summation. In other words they dont spell it out for you.
We know it is happening so there is a reason.
I will try my best to explain.
When you pluck a string 3 things vibrate . The neck, the body and the strings.
The strings have an elliptical motion. That means oval shaped if you dont know.This is normal for long, round objects attached both ends when they vibrate. As the string enters its downward motion, the magnet field is able add to the strings downward force. It's not much, under a pound of pull, but it is pulling. This same force also restricts the string from moving as high while it's in motion.
Motion is the key to everything happening here. Strings are extremely sensitive to harmonic frequencies. They are designed to be. By altering the amount of magnetic pull, and where that pull is placed on the string, we can change which hamonic frequency is strongest and how long the string vibrates to a lesser degree.
The body vibrates, but it does not have a measurable amount of flex. The bodies vibration does play a role in harmonic output. Its minor but its resonate frequency does come into play. It affects note length and harmonic balance. Its shape, weight and rigidity determine its resonate frequency.
This is where things get really interesting and I believe is THE key to why this particular bass suffered this issue when others have not.
The neck. It does all the things the body does. Its shape, weight and density create its resonate frequency which in turn affects the string harmonics.
But it does something else too. It bends. That is the key. As the strings vibrate, the neck vibrates and BENDS in a measurable way.
When the string is plucked, tension is added. This creates bow. When the string is released, that bow snaps back into place like a bow and arrow would. It's the same principal. If you watch a bow in slow motion , you can see its harmonic vibration. It does not snap back into its undrawn form instantly after launching an arrow. It vibrates for a split second.
The same principal applies to the basses neck.
It is a minute amount amount of flex but it IS there.
So the major factors are string size, tension and destiny coupled with the necks rigidity and resonant frequency, compounded by the magnetic field, all coming into play, ONLY WHILE THE STRING IS IN MOTION.
I put the bartolini mk1s back in. The issue is not present. I can go lower than my preferred action with those pickups.
Nordstrand hasnt responded yet. If they dont, I wouldn't blame them. That's a huge double edge sword. I would imagine it could start a whole new trend of problems for them, with people checking to see if their pickups affect action height.
That's not something I would want to step in either.
I understand the scepticism. I was as sceptical as well. It makes no sense logically to the average person. But for those of you interested, the information is out there. You have to dig to find it. The affects of magnetic fields on metal in motion is quite a complicated topic. Most of the information you will find is in equation form with very little summation. In other words they dont spell it out for you.
We know it is happening so there is a reason.
I will try my best to explain.
When you pluck a string 3 things vibrate . The neck, the body and the strings.
The strings have an elliptical motion. That means oval shaped if you dont know.This is normal for long, round objects attached both ends when they vibrate. As the string enters its downward motion, the magnet field is able add to the strings downward force. It's not much, under a pound of pull, but it is pulling. This same force also restricts the string from moving as high while it's in motion.
Motion is the key to everything happening here. Strings are extremely sensitive to harmonic frequencies. They are designed to be. By altering the amount of magnetic pull, and where that pull is placed on the string, we can change which hamonic frequency is strongest and how long the string vibrates to a lesser degree.
The body vibrates, but it does not have a measurable amount of flex. The bodies vibration does play a role in harmonic output. Its minor but its resonate frequency does come into play. It affects note length and harmonic balance. Its shape, weight and rigidity determine its resonate frequency.
This is where things get really interesting and I believe is THE key to why this particular bass suffered this issue when others have not.
The neck. It does all the things the body does. Its shape, weight and density create its resonate frequency which in turn affects the string harmonics.
But it does something else too. It bends. That is the key. As the strings vibrate, the neck vibrates and BENDS in a measurable way.
When the string is plucked, tension is added. This creates bow. When the string is released, that bow snaps back into place like a bow and arrow would. It's the same principal. If you watch a bow in slow motion , you can see its harmonic vibration. It does not snap back into its undrawn form instantly after launching an arrow. It vibrates for a split second.
The same principal applies to the basses neck.
It is a minute amount amount of flex but it IS there.
So the major factors are string size, tension and destiny coupled with the necks rigidity and resonant frequency, compounded by the magnetic field, all coming into play, ONLY WHILE THE STRING IS IN MOTION.