After many clips I hated the "grease bucket" circuit. Plus the pups were not the same as "regular" MIA basses.
I had one and too hated it. I think the majority of HW1 owners wind up ripping it out in favor of a traditional tone.
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After many clips I hated the "grease bucket" circuit. Plus the pups were not the same as "regular" MIA basses.
Over the past 2 years, Squier has debatably made the most significant progress of any company across the entire market. Does the phrase Classic Vibe ring a bell? Evidently not.
I would never bash an AM STD, HWY1, MIM, MIJ, MIK, MIC, MII, or wherever else they could possibly squeeze out a guitar. If they are setup properly, they can be made into wonderful sounding instruments in the right hands.
I absolutely love this MIM and MIA argument....especially the people that say there is no difference in a regular players hands. I would class myself as a regular player. I've been playing for 24 years now. I generally use my MIA in all my practices since it's also the one I use when I'm playing somewhere. One practice I showed up with a MIM(same model, different country) that I was trying out. I was standing facing my amp playing basic scales and walking lines when the guitar player walked in the side door. He couldn't see what I was playing at all and didn't know I even had another bass with me, but, without seeing what I was playing he said "can you please plug your Fender in so we can get practice started. The tone on that one isn't as good." Keep in mind this was said by a guy that hadn't even seen what I was playing but he could tell by the sound/tone....and he's not even a bass player.
I'm not biased in the least against MIM's at all. I played one for 14 years before getting my MIA and I loved it, but I can say that if you can't tell the difference between a MIM and a MIA(that have been set up properly) you probably should have your hearing tested.
Just to reinforce the truth of my unbiased-ness(LOL), my second bass is a Squier Jazz Deluxe V which I absolutely love and sometimes choose to play regardless of having a MIA Fender Precision Deluxe.
But you can still change out the pickups and be in for less money than a MIA. Once you do that there may not be much of a difference.
So fourstringdrums, your MIA p is a deluxe? Active pre-amp? I see.
No flames. You're just totally, abjectly wrong.Sir, forget MIM, forget Higway one. Those are glorified MIM's anyways IMHO (here come the flames). Crappy tone circuit too. Crappy pickups.
No flames. You're just totally, abjectly wrong.
The old H1s were very MIM, but they haven't been for a while. Additionally, FMIC has apparently decided to streamline production by eliminating some of the unspeced incremental differences between models.
The only differences between the 2011 Highway One Precision and the 2011 American Series are the finish, machines and bridge.
Identical grade 2- or 3-piece alder body, identical neck dimensions, w/Posiflex & graphite, identical pickguard, identical 61276/7 pickup set and electronics (the February '11 build I took apart on the bench did not have the "Greasebucket" nonsense but I don't know if that indicates they've dropped it or not).
Fender's site is pretty useless for getting current info and typically six months to a year out of date. Or more.According to Fender's site they still have the Greasebucket circuit.
My MIM classic 50's p bass is as good as any bass I've played. Totally stock and defines what a p bass is and should be. Buy one used for around $500. You won't regret it.