I will get a Mesa Subway D-800 as they are truly available.NOW.
TC Electronic, Fender, and Gallien Krueger also have a full line of tiny lightweight high power amps readily available. I don't see how Peavey expects to compete.
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I will get a Mesa Subway D-800 as they are truly available.NOW.
There are a lot of micro amps out there. That was also the case when we debuted the mega. The thing is, pretty much all of them are powered by ice power modules. I have evaluated those modules and I've played a lot of the competitor amps. I think they are good, but they never gave me the performance I was used to. I know a lot of others feel the same way.
I know that many people have the opinion that a power amp is just a power amp. I don't agree with that. In my opinion, the power section of a bass amp is the most important part. Since we were late to the game, I knew the only thing that could give us an edge was the power amp. I don't think the world needs any more "me too" micro bass heads. If you're not going to offer something actually better or different, why bother? So anyway, I went for it. It was extremely difficult, but I was left with a great sense of satisfaction that I actually designed my entire amp.
Last year at NAMM, jhawk the cab builder came to see me to borrow an amp. He said that they tried everything else, but he and the performers he had didn't feel like the other amps could deliver the goods. When I visited his booth, I saw a stack of other borrowed amps. Some mainstream, some boutique. The common element was ice module. They chose to use the Mini Mega. They also asked to take it to a club that night for an artist showcase. To my knowledge, the artist preference was unanimous.
So anyway, yeah there's a lot of competition, but in reality most of it is the same, and I think people will instantly realize the difference when they try the mega.
There are a lot of micro amps out there. That was also the case when we debuted the mega. The thing is, pretty much all of them are powered by ice power modules. I have evaluated those modules and I've played a lot of the competitor amps. I think they are good, but they never gave me the performance I was used to. I know a lot of others feel the same way.
I know that many people have the opinion that a power amp is just a power amp. I don't agree with that. In my opinion, the power section of a bass amp is the most important part. Since we were late to the game, I knew the only thing that could give us an edge was the power amp. I don't think the world needs any more "me too" micro bass heads. If you're not going to offer something actually better or different, why bother? So anyway, I went for it. It was extremely difficult, but I was left with a great sense of satisfaction that I actually designed my entire amp.
Last year at NAMM, jhawk the cab builder came to see me to borrow an amp. He said that they tried everything else, but he and the performers he had didn't feel like the other amps could deliver the goods. When I visited his booth, I saw a stack of other borrowed amps. Some mainstream, some boutique. The common element was ice module. They chose to use the Mini Mega. They also asked to take it to a club that night for an artist showcase. To my knowledge, the artist preference was unanimous.
So anyway, yeah there's a lot of competition, but in reality most of it is the same, and I think people will instantly realize the difference when they try the mega.
We will be unveiling more bass amps soon that take advantage of these developments. At the same time, we seem to have learned from our past mistakes of showing things too early, so when you see that stuff, it will actually be ready to ship! Imagine that.
Anyway, the amps that you have seen are just the beginning, so I feel certain we will remain competitive.
Just when I think I'm out, they pull me back in again.

On paper this amp beats anything else out there right now for what I'm looking for. That initial reaction of the amp through Greenboy cabs is what got and continues to hold my attention.
I looked at the Mesa and I'm still curious about it, but the Peavey is more full featured, most importantly with EQ. I'll be taking a look at the latest Genzler also. But I don't see any other micros out there that can match what the MiniMega offers, again, at least on paper.
This thread was started almost 2 years ago. So, does this mean that the new, unreleased future mystery amps scheduled for release in 2 years are really coming in 4 years?Great. Now there's more awesome mystery amps coming in 2 years.
Come on Man. He's already said that when they show them they will be ready for release..... WHEN they show them...This thread was started almost 2 years ago. So, does this mean that the new, unreleased future mystery amps scheduled for release in 2 years are really coming in 4 years?
Bobby's comment about future amps was well-intentioned, I think, but carried some unfortunate overtones. If Bobby and Peavey Co. are already thinking about the design of future amps, that's a good thing - to turn the theme of delay on its head, this amp was designed two years ago. What kind of engineer would Bobby be if he hadn't had any new ideas or considered any refinements to the design since then? That said, if I bought a Minimega now, only to see it discontinued in a few months and replaced with a Son of Minimega, I'd likely be... miffed.
I'm glad to hear that the power section has gotten serious consideration - and I commend you, Bobby, for designing your own. This is where most micros, as impressive as they can be, have fallen short until now. I don't think that Peavey is the only company paying attention to that now - I can think of a few - but I still think that there's plenty of room for this amp, provided that it delivers and that Peavey Co. (which better have learned some lessons and taken them to heart) can manage the marketing, production, and distribution of the amp sensibly.