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Peavey T-40 Club Part 2

Really awesome score, they didn’t know what they had! The early “patent pending” models are the most desirable ones in my opinion, so you got a real gem. Of the three T-40s I’ve had - natural/maple ‘82, white/maple ‘80 and my current black/maple ‘79 - the older ones have sounded better to me, especially my 79.
I honestly couldn't believe it when she said I can take it home. The t40 is probably one of the only vintage basses that I've wanted. This thing sounds amazing though. I've only played my 5 string fretless Warwick Corvette for the past 2 years, and switching to this is a whole different beast. Definitely gave me some much needed inspiration
 
has anyone rewired a t40?

it has my favorite neck of all my basses

I just want the full range of single coil tone, and the full range of the humbucker tone

I actually don't like the way it is setup electrical

any thoughts on how I can accomplish this?

I've never rewired a T-40, but I did put a set of T-40 pickups into a P-Bass. Full details and photos are here.

The controls I settled on were master volume (push/pull for neck humbucker), pickup blend, phase switch, and master tone (push/pull for bridge humbucker). With the knobs in the down position, the pickups are in single coil mode, with the outer coils active.

As @ZachM said above, the interactive nature of the T-40's controls definitely contributes to the instrument's distinctive sound. T-40 designer Chip Todd used to recommend cutting each pickup's red coil tap wire, which would leave the pickup in permanent humbucking mode, but allow all of the pickup's high overtones to come through. The push/pull switch on each of my pickups essentially does the same thing. I'd say that there's a little more top end available, compared with the original T-40 wiring, but not enough that I'd rewire a T-40 to get it.

My goal with the "P-40" wasn't to make a lighter T-40, but to do something similar to Mike Lull's PT-4 or the Blacktop Precision: a P-Bass with two powerful humbuckers and a fairly conventional control scheme.
 
1979 PEAVEY T-40 PAF.JPG
 
Yeah... It's gotta go. I'm gonna be 53 years old soon. Don't even wanna play it sitting down.

I'm 51...just picked it up last week...had it professionally set up, put a new set of strings on it and I love the sound...BUT it's definitely the sit down and play bass.
I'm glad I found one, and the price was an absolute steal but I can completely understand why these aren't seen on tour much
 
I'm 51...just picked it up last week...had it professionally set up, put a new set of strings on it and I love the sound...BUT it's definitely the sit down and play bass.
I'm glad I found one, and the price was an absolute steal but I can completely understand why these aren't seen on tour much
Tour? From My bedroom to My music room is only about 70 feet... :roflmao::roflmao::roflmao:
 
I refer to my ash T-40s as "chiropractor heavy". I have two of them, and two painted ones. The painted ones are rumored to be poplar. I know they are a good bit lighter than the ash ones.

I can confirm this, both of my colored T-40s (a white/maple 1980 and my current black/maple 79) were both a little over a pound lighter than my 1982 natural. The black one in particular is the lightest at just under 10.5 lbs, which leads me to think they got heavier as a whole over their production.
 
Just scored a ‘79 today and was looking for some string recommendations. I mainly play a precision with Chromes, so a super long set of those is my first thought. TI flats are another option, as well as DR Hi Beams.

For context, I mostly play alt rock/grungish type stuff in a fairly loud three-piece band.

Thanks in advance for any insights/reco’s.

EDIT: ‘79
 
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