• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Peavey T-40 Club Part 2

I have never explicitly measured but anecdotally all three of my T-40s (a 1980, 1982 and my current 1979 bass) have had basically the same roundover on the edges of the body, so if I had to guess they changed it post 1982.

All three also had a slight radius on the top, where the outer edges are slightly thinner. Where they did differ was the contouring - the ‘82 however had a belly cut and arm contouring, but the older ones are just slabs, not counting the overall radiusing.
 
  • Like
Reactions: B-Mac
I've been thinking about mounting a Hipshot Xtender on my T-40 for a little while now, but it seems like the "correct" option - the ones using the Schaller M4 footprint - have been discontinued. Does anyone know which of Hipshot's current offerings will potentially fit?
 
I've been thinking about mounting a Hipshot Xtender on my T-40 for a little while now, but it seems like the "correct" option - the ones using the Schaller M4 footprint - have been discontinued. Does anyone know which of Hipshot's current offerings will potentially fit?

You may be able to remove the tuner, and send it to Hipshot to add the X-tender to it. I did this with my Pedulla MVP - and great idea, I might do it with one of my T-40's or T-45's! :thumbsup:
 
What do you think about getting my 1980 T-40 pickups re-wound? Mine seems noticeably lower output than my other passive instruments (which have P or PJ configurations), and somehow both very midrange-y yet excessively polite. It doesn’t sound bad, but it doesn’t sound great either, and any instrument of mine really should thump pretty hard.

I don’t remember if I’ve posted mine in this thread before, so here we are just about a year ago, both made in the USA in 1980 😁

A388AAA7-0EF9-4888-8FE4-DE3FC757C982.jpeg
 
  • Like
Reactions: filler83
Sounds like a dumb idea.

Get something else that fits that you like the tone of and sell the originals to me.
Hmm. I think what I really want to know is whether there’s something wrong with mine, in which case you wouldn’t want them 😁 if this is just how they are, I’ll just live with them and try EQing more aggressively.
 
The first version of the pickups (toasters) are lower output compared to the rails that came after. No way to know if your's are "normal" without A/Bing them. The only thing that sounds off to me is they being very "midrange-y". That's not how I would describe mine. Make sure the phase switch is opperating correctly.here is a Lobster vid you can try to compare to...
 
Last edited:
  • Like
Reactions: jglunt
Another option is to get a set of these Stonewall pickups,
What do you think about getting my 1980 T-40 pickups re-wound? Mine seems noticeably lower output than my other passive instruments (which have P or PJ configurations), and somehow both very midrange-y yet excessively polite. It doesn’t sound bad, but it doesn’t sound great either, and any instrument of mine really should thump pretty hard.

Hmm, some of this sounds normal and some doesn't.

Regarding the output volume: I've had three T-40's, two of which were the toaster pickups like yours and one which had the blades. The blades are definitely louder, probably about on par with my loudest passive instruments. The toasters are lower resistance, and they're actually fairly quiet - I don't think they're wound with a high resistance. I do know that they're noticeably quieter than my JMJ Mustang, but not enough that it would seem like a problem. Overall, if your other instruments are mostly high output, I think you will perceive the T-40 as somewhat quieter, but it shouldn't feel weak.

It does seem a bit weird to me that you'd describe the toaster pickups as being excessively midrangey. The toaster pickups are IME very broad sounding, fairly mellow and bassy, and with a somewhat compressed attack and decay profile. I felt that the blade style are definitely midrangey (which tracks because IIRC the higher resistance a pickup, the more midrange emphasis it tends to have), and the attack profile is noticeably more sharp due to the exposed blade.

I'd suggest playing around with your pickup height(s), which do play a big role in the tonal profile. The coils in T-40 pickups aren't wound extremely hot but these are some very large magnets. If your bridge pickup is too high relative to the neck, or both pickups are too close to the strings, that would definitely shift your tone in a midrangey direction.

If you do all that and it still doesn't work, Stonewall makes some T-40 pickups which seem to be excellent quality, although a bit on the spendy side:
 
Last edited:
What do you think about getting my 1980 T-40 pickups re-wound? Mine seems noticeably lower output than my other passive instruments (which have P or PJ configurations), and somehow both very midrange-y yet excessively polite. It doesn’t sound bad, but it doesn’t sound great either, and any instrument of mine really should thump pretty hard.

I don’t remember if I’ve posted mine in this thread before, so here we are just about a year ago, both made in the USA in 1980 😁

View attachment 7020744

I felt like mine was like that, too. I thought it was normal. Mine was polite, dark, and slightly lower output compared to other basses. Bright steel strings helped.
 
  • Like
Reactions: Justyn Brando