I scooped a BG-120 from PJB dealer - American Music Supply today! They've got a promo going that brought it down to $699.
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Great deal. I've never seen it below $749. Congratulations.I scooped a BG-120 from PJB dealer - American Music Supply today! They've got a promo going that brought it down to $699.
I'm new to these amps, just got a d 1000, but these cabs with my Warwick lwa 1000 is nothing short of killer. Indoor or outdoor gigs, this rig keeps up with 2 guitarists. I was pleasantly surprised to hear how much bass this rig actually pushes. I had the pleasure of hearing one of his big cabs at NAMM a few years back, a custom cab for a client that was somewhere between 25-35 drivers, and it was funny watching the noise police run to thar booth to get them to turn it down with one of their 500 watt heads...lmao. price isn't entry level friendly for sure, but these things are wonderful.So, PJB seems to get a lot of love around here, and I'm kind of wondering about that. They're expensive, and the thing that seems so odd to me is the driver sizes all seem too small. Many of the drivers are only 5", and the "big" drivers are only 7". Most speakers need 10" to get real bass, and I generally prefer the sound of 12" drivers over 10".
So how does PJB do it? Do they just not produce much fundamental, like it's been through an HPF? Or does it really get down to that low E even with the small drivers? (And if so, how do they do it?)
There aren't any PJB dealers near me so I haven't been able to hear one in person and I'm curious.
It is because while the equipment may be the same everybody's expectations and maybe more importantly usage of the same equipment is different. I may run my bass EQ flat and gain so-so and get an expected result, wonderful and full because it is used as intended. The next guy likes to boost his bass EQ and run his gain a bit hotter, but his expectations are met with fartty bass and low SPLs because he was looking for an SVT replacement.Some things should be more objective.
If it farts the bass then it farts the bass. End of story. How on one guy it farts the bass and the other guy finds the bass wonderful and full? These 2 things can't go together.
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I have a Genzler Magellan 800 head and I'm trying to make a decision on which cabinet should I match it with.
The Phil Jones primary attracts me by its size. However no experience at all.
That makes sense... a way to get the best of both. I have a project (blues) that will be starting up soon... have been wondering about combining my old 15" with 1or both of my Cab 47s to get the best of both cabinet characteristics. A lot depends on the type of drummer we find, and the touch he has.Difficult to give you some advice without knowing something more of your tone goals and volume expectations.
Please keep in mind that a C4 is the equivalent of a 1x10", a C8 that of a 2x10".
You would not expect a1x10" to compete in volume in a typical band setting (except maybe small acoustic louge type setting for jazz or singer/songwriter).
The C4 and the C8 are producing deep and clear bass which is precise and destinct. But they don't readily provide that woolly deep supportive pillow of bass that some prefer. As my own tone goals vary, I sometimes combine my 2x C4's with a traditional 2x10. this is how I scale my setup
So my recommendation would be to combine 1x C8 with the Magellan 800 for a 2x10 equiv. and add a 2nd. if required.
As to the tone goals, only you can decide if you are the big woolly pillow type or the deep and precise tone type.
By the way, I can dial the bass up on my Magellan (Pre + PAmp) to fatten the tone nicely, but will stay clean and precise.
Hope this helps.
Edit: maybe talk to @/\/\3phist0 as he is actively gigging a TT800 into PJB C-8
You might have difficulty getting enough volume with just the Double Four. There used to be an extension cab for it but that's been discontinued.I have a potential buy for a Double 4 (70 watts). Can anyone give some feedback? I'm sure the tone is wonderful, but could it keep up with drums, piano and a trumpet at a jazz gig?
I'm looking for a practice amp that I can bring to smaller gigs.
My opinion (and I have one). Almost but not quite. Depending on how loud they are you will be in the backround.I have a potential buy for a Double 4 (70 watts). Can anyone give some feedback? I'm sure the tone is wonderful, but could it keep up with drums, piano and a trumpet at a jazz gig?
I'm looking for a practice amp that I can bring to smaller gigs.
I’m liking the Bass Cub Pro (BG-120) for this type of application, assuming you want a combo. I use mine often.I have a potential buy for a Double 4 (70 watts). Can anyone give some feedback? I'm sure the tone is wonderful, but could it keep up with drums, piano and a trumpet at a jazz gig?