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Playing Country bass the "correct" way?

I've been in the same country band for the past 14 years and still can't provide a coherent explanation as to my approach. I can't palm mute worth a damn; it's all left hand and right thumb (floating thumb).

I don't wear a big hat or belt buckle.

Riis
 
I always thought the Owen Bradley "tic tac" bass was an upright bass, a Dan Electro and a Fender bass playing the same part but says here that it was just the Dan Electro:

Harold Bradley: The Guitarist Of Nashville Past

"GREENE: Still, Bradley did make a name for himself. The tic-tac is a bass sound that you were sort of known for. What exactly is that?

BRADLEY: Well, it's a six-string bass guitar. The bottom four strings are just like the bass but it has two additional strings on top. And I really made a lot of money with it. I'm not going to give any money back.

(LAUGHTER)

BRADLEY: But it is an ugly sound.

GREENE: Can you do it for us?

BRADLEY: Yeah, I actually brought the original bass guitar that I played on Patsy Cline's record here.

GREENE: Oh, wow.

BRADLEY: Try to imagine in your mind that I'm playing "Crazy," OK?

GREENE: I'm imagining it as we speak.

(SOUNDBITE OF MUSIC)

GREENE: Bradley says "Crazy" was an especially memorable session but it wasn't an easy berth. Patsy Cline had injured her ribs in a car accident and was unable to sustain some of the high notes. So, Harold's brother had the group record without a vocalist, working hours to get it just right.

BRADLEY: We recorded that arrangement and all he got at the end of four hours was a track. Two weeks later, she came back in and he said she sang it in one take. He said when she got through, neither one of us wanted to do it again."
 
Generally, you want short duration notes. There are exceptions, but mainly you need to keep notes short by muting them quickly. You need two basic styles, the 1-5 two-feel on the one and the three, and the basic rockabilly walk, some combination of 1-3-5-6 and 8-6-5-3, repeat as necessary. There are variations, but you'll do fine if you start with these. In either case, you'll have an optional diatonic scalar walk up or down leading up to chord changes. Songs often end with a 1-5-1, going down to the 5 and back up to the 1. Mostly the bass sits on top of the beat, but if you stay locked in with the drummer you'll be fine.
 
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Red Blooded Texan Country Music Player here....
I palm mute as needed and use fretting hand muting as needed to match the tightness of the drums, depending on the song, of course. Sometimes I use a pick sometimes I finger pluck, sometimes a thumb pick. Sometimes it's a J and sometimes a P, sometimes a fretless, sometimes an upright. Just depends.
There's no right or wrong though. Do what sounds best for the music you're playing.
"Got here as fast as I could" Texan here. I guess I'm landed gentry now that I own property! And you're right on about different styles and techniques for sure. I use a multi-effects pedal and have a few different patches for different styles. 50's country is certainly different from 70's as it is from 80's and current. Serving the song with your playing as the way to go. Good post, good advice.
 
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It really depends on the tune and the drummers pocket. Feel trumps everything sometimes you will mute the note to let the snare speak, sometimes you end the note as the snare ends and sometimes they are just big ol long notes. Listen to as much Bob Moore and Glenn Worf as you can, those two will teach you everything you need to know. Cheers.
 
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