80-90% until sound check is done. Then wide open. 
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funny! (me too, sometimes!)80-90% until sound check is done. Then wide open.![]()
Yeah almost always dimed. I could probably get away with a kill switch.![]()
I may be wrong, but I'm under the impression my pickups and output sound the best when wide open, and choking off the output fundamentally transforms the tone in a way I do not like.
...and swell is fun!Unless I'm trying to swell, I've never found a use for the volume knob.
For most passive basses, you're correct, but it doesn't have to be that way. Leo made some decisions that worked very well in the 1950's that don't necessarily have to apply today. I wire my basses in parallel, then load them internally (not using the cable as the load), so they sound like a normal bass that's dimed at any volume control setting - doing it that way means I can turn my instruments down, and it doesn't as you say "choke off" the tone. The volume controls on my basses act like volume controls on a stereo - not a combination of volume and tone, like most instruments.
As I play in churches, where we do things like underscoring (playing really quietly behind someone who's talking), I use my volume control much more than most bassists - meaning it's turned down a fair bit of the time. But on a rockin' tune, or the rockin' part of a tune with dynamics (we do alot of those), it's dimed.
sorry, I thought that’s what “wide open, fully turned up” in the poll meant.@SLO Surfer your poll is missing "always maxed"
this bugs me a lot, and is why I stick to wide open. It’s also probably why most of those who don’t dime it find they need to keep the extra headroom available? (Other than the tone reasons)played with a guitarist who used to keep his guitar at less than 100%; we'd get the mix right but over time, he'd use the volume knob on his guitar to make himself louder in the mix, which was not a good thing. So annoying - don't do this
This is my thinking, too: I always set the volume just a shade below max so if I have a small boost available mid-song if I need it. I only play in hobby bands, so there's no sound guy to take into account, and sometimes one or another guitarist will turn up mid-song and I need to make a quick adjustment to catch up.I like to keep "a little gas in the tank" for certain moments (and the sound guys seem to forgive me) so I always back a bit off max, even with passive instruments. I rarely roll back the tone knob (again with passive) so there's room for a little high end sacrifice with the volume control. With active instruments (and G&L MFD's, DiMarzio's or other hot passive pickups) it's a little more complicated and bass-specific, but if anything they're even less likely to be wide open.
Sound guys aren't all ogres - mostly you just need to talk to them about this stuff and prep them in advance. They've never had a beef with me (though I've had a few with them).This is my thinking, too: I always set the volume just a shade below max so if I have a small boost available mid-song if I need it. I only play in hobby bands, so there's no sound guy to take into account, and sometimes one or another guitarist will turn up mid-song and I need to make a quick adjustment to catch up.